Deep flower | Contemporary Abstract Blue Ink Flow Artwork, 2026
Timi O  

Painting : acrylic, ink · 70 x 50 x 2 cm 27.6 x 19.7 x 0.8 inch · Ready to hang

€336 336 €
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Shipped from: Serbia

Delivery to: France , € 52

Estimated delivery: Less than one week

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

70 x 50 x 2 cm 27.6 x 19.7 x 0.8 inch Height x Width x Depth

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Credentials

Vetted seller since 2024 • Top Seller

Description

This abstract artwork presents a fluid composition of blue tones created with acrylic ink on canvas. The forms resemble floral and organic structures while maintaining a strong sense of movement and depth. The layered technique produces subtle variations in tone, enhancing the immersive quality of the piece. The work fits seamlessly into contemporary interiors and appeals to collectors interested in abstract, nature-inspired art. Its calm yet dynamic presence makes it suitable both as a focal point and as part of a curated wall arrangement. A distinctive and elegant choice for a modern collection or a meaningful gift.

Abstract

Abstract expressionism

Sky blue

Timi O, Deep flower | Contemporary Abstract Blue Ink Flow Artwork

Timi O

Serbia  • 1990

Presentation

Timi O is the artistic name of Olga Timireva, a contemporary artist whose practice is grounded in close observation of the human figure, material transformation, and the relationship between image and lived experience.

Before dedicating herself fully to art in 2022, Timireva studied Public International Law at Lomonosov Moscow State University and spent several years working in human rights, representing individuals before Russian and international institutions. This experience continues to inform her sensitivity to vulnerability, agency, and the ways in which individuals are perceived through larger systems.

Her artistic process begins with fragments that might otherwise pass unnoticed: a face, a gesture, a body, a reflection, or the movement between light and shadow. Removed from their original context, these fragments acquire new psychological intensity.

Timireva works with ink, charcoal, translucent washes, and layered surfaces. In her RED series, she uses red acrylic ink to reinterpret classical sculpture and the human body. Through successive transparent layers, she builds volume while preserving the untouched white paper as light. The process resembles sculpting in reverse: form is constructed through accumulation rather than carved away.

Red becomes both physical and symbolic — recalling blood, warmth, danger, flesh, and vitality. Through this restricted language, Timireva examines the moment when an image stops functioning as an object and begins to feel alive.

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