Sans titre, 2025
Painting : acrylic · 75 x 55 x 2 cm 29.5 x 21.7 x 0.8 inch · Ready to hang
Shipping & delivery
Shipped from: France
Delivery to: Germany , € 88
Estimated delivery: Two to three weeks
Free returns within 14 days, full refund
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Sold with certificate of Authenticity from the gallery
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
75 x 55 x 2 cm 29.5 x 21.7 x 0.8 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2015 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
This captivating work unfolds as a complex tangle of calligraphic lines in black and white. The juxtaposition of curves and angular lines creates a dynamic and mesmerizing texture, instantly drawing the eye. The monochrome palette accentuates the intensity and depth of each stroke, offering a visual richness that oscillates between abstraction and symbolism. Each brushstroke appears meticulously calculated, revealing a subtle harmony between chaos and order. The interplay of light and shadow amplifies the composition's depth, giving the impression of a three-dimensional canvas. This bold creation explores the boundaries between writing and visual art, transforming textual forms into a mesmerizing visual dance. A masterpiece that challenges and invites prolonged contemplation.
Presentation
Born in 1979, K'trY, alias Julien Lebbihi (or LE2BHI), has always been attracted to graffiti, tagging and, by extension, all kinds of calligraphy. In search of a controlled freedom of the line.
As a ceramist, his graphic work on clay leads him to explore other supports.
Julien Lebbihi discovered graffiti when he was eight years old. From then on, he never stopped looking at graffiti on the walls, then their little brothers, the tags. His nickname evolved from King, to King Tryvers, contracting to K'try. He then adopted another nickname: Dago, in homage to Dago Red by J. Fante, a pejorative term that discriminates against Italian-Americans that can be translated as "big red", the equivalent of our wop or macaroni. Dago is a way of saying "I'm on the fringe, you despise me but fuck you". He uses one or the other pseudo according to his graffiti desires.
He has never stopped graffiti. And it is by linking graffiti and ceramics that everything made sense.
Artistically, Julien Lebbihi compares himself to a solitary animal. A little influenced by the memory of impressionist painters in his childhood, he cites Sisley. But also Rembrandt and Turner. Today he follows Lady K, JonOne and many others. As a teenager, his heroes were the P19, the crew of graffiti artists (Pest, Penr, spyr, Bab2 etc.) who operated in the southern suburbs, near Massy Palaiseau.
In graffiti, he is never satisfied with a letter until he can give it an emotion: anger, sadness, shyness, joy etc... When he paints, Julien looks for the balance, the work of the form that these heaps of lines compose.
Reviews from our customers
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