Bronze Sculpture for Sale
Painting : aerosol paint, acrylic · 170 x 360 x 4 cm 66.9 x 141.7 x 1.6 inch · Ready to hang
One of the last works available by this artist
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Shipped from: Switzerland
Delivery to: France , € 318
Estimated delivery: Four to five weeks
Free returns within 14 days, full refund
Sold with certificate of Authenticity from the gallery
Invoice from the gallery Learn more
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Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Not Signed
Technique & Support
aerosol paint , acrylic on canvas
Dimensions ( cm • inch )
170 x 360 x 4 cm 66.9 x 141.7 x 1.6 inch Height x Width x Depth
Art gallery
Professional art gallery • Switzerland
Credentials
Vetted seller since 2020
Discount
This seller offers discount when you purchase multiple artworks.
“Simple style" borrows its title from the technical vocabulary of Graffiti: a legible lettering style, without the entanglements of wild style, but worked in every detail to reveal the writer's mastery. In Graffiti, “simple style" is paradoxically more exposed than wild style because it fully exposes the quality of the stroke, without the shortcuts that complexity allows.
The illustration of the lettering with character arms — in aerosol acrylic paint — is a recurring signature of TONES' work. It gives the composition a more realistic, lively, and moving dimension, for which enthusiasts of the genre recognize and appreciate the artist's style. This maxi-format — 360 × 170 cm — places the work within the tradition of large mural frescoes that have made TONES renowned on walls in Geneva and internationally.
The letter as dance: the funk and the flow
TONES is a “funky letter technician" and a committed disciple of the style — these are the terms he chooses to define himself. His specificity is to make his letters dance through connections, funk, and flow, while respecting New York school codes. This notion of “dance" is not metaphorical: it says something profoundly true about the nature of TONES' lettering, where each letter is in a relationship of movement with its neighbors.
His declared influences: the companions of his house — REY ONER, HEWS, SNEKE — and the legends of New York Graffiti such as SKEME, WEST, and DOZE. These names belong to the founding history of the movement, that of the 1970s-1980s in New York, when Graffiti was invented on subway cars. TONES is a direct heir to it, through the transmission of his mentor REY ONER and through his own travels and encounters.
The art of decomposing the alphabet, appropriating it, making it dance — that is Graffiti.
International presence
TONES' work is now known far beyond Geneva. His frescoes adorn the walls of Santiago, Chile, La Paz, Delhi, many European cities. In 2017, Nike invited him to paint a fresco at the brand's global headquarters in Beaverton, Oregon. He has also worked for Microsoft and Lays, proof that his style, formed on the street, has established itself in spaces where visual quality standards are demanding.
Formal analysis
The format of “Simple style" — 360 × 170 cm — is that of large mural frescoes. The canvas imposes a rare physical presence, that of a portable wall painting. The letters, clear and balanced, are inscribed in the space with the fluidity of a perfectly mastered gesture: no stiffness, no hesitation. The character arms that extend the lettering create an anthropomorphic dynamic that makes the composition immediately accessible to all viewers, connoisseurs or not.
The chromatic palette is generous but disciplined: the chosen colors dialogue with each other without conflict. Legibility is maximum, immediate visual presence. This is the “simple style" in the noblest sense of the term: what appears simple is the result of a mastery that is not shown.
Certificate of authenticity issued by the gallery
Simple style is presented by OUTSIDE ART
Tones had a very strong taste for drawing from childhood. Initially attracted rather by the graphic illustrative style largely inspired by comics, he did not discover graffiti and the aesthetics of letters until the early 2000s, following a decisive meeting with graffiti artist Rey. He therefore became involved in this new form of expression, directly inspired by the traditional New York style, and gradually asserted himself as a writer (graffiti artist).
Funky letter technician and disciple of "Style", his specificity is to make his letters dance through complex connections, while respecting the codes of the New York school. Another peculiarity of his work is to decorate his lettering with illustrative elements by subtly mixing realism and graphic style. This fine combination is an invitation to enter a universe sometimes offbeat, but colorful.
His influences come mainly from members of his crew - the EDK - as well as New York graffiti legends such as Skeme, West, Doze and many others.
His style has evolved over time and according to meetings with certain representatives of the community during several trips abroad and various participations in graffiti festivals: first in Europe, in Paris, Barcelona, Berlin, Belgrade, Cadiz, Grenada - then in North America - New York, San Francisco, Los Angeles, Vancouver, Seattle - and finally in Asia - Delhi, Mumbai, Bangkok, Phnom Penh, Beijing, Shanghai, Guangzhou and Macao among other cities. His approach to graffiti leads him to express himself mainly in the street, thus remaining faithful to the underground spirit of this art form. However, he has had the opportunity to participate in several gallery exhibitions in recent years.
All our reviews are extracted from Verified Reviews
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