Composition 13, Circa 1955
Painting : gouache · 37 x 48.5 x 0.1 cm 14.6 x 19.1 x 0 inch · Ready to hang
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Shipped from: Poland
Delivery to: United States Free delivery
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
37 x 48.5 x 0.1 cm 14.6 x 19.1 x 0 inch Height x Width x Depth
Artwork dimensions including frame
44 x 55 x 2 cm 17.3 x 21.7 x 0.8 inch
Sold by
Art gallery
Credentials
Vetted seller since 2025 • Top Seller
Description
Alfred Lenica (1899 - 1997) - Composition 13
Gouache from 1950-1959.
Dimensions of work: 48.5 x 37 cm
The work is in Excellent condition.
Fast and secure shipment.
Presentation
Alfred Lenica, born in 1899 in Poznań, Poland, is a major figure in abstract art and European Surrealism. Trained at the Academy of Fine Arts in Warsaw, he settled in France in 1925, where he joined avant-garde artistic circles. Close to the Dada and Surrealist movements, he initially explored figurative painting before turning to lyrical abstraction in the 1930s.
His style, marked by organic forms, vibrant colors and expressive gestures, is part of the School of Paris movement. He actively participated in the exhibitions of the Salon des Surindépendants and the Salon d'Automne, alongside artists such as Wassily Kandinsky and Hans Hartung.
In the 1950s, Lenica developed a more geometric approach, influenced by Tachisme and Art Informel. His works, often described as poetic, blend rhythm, light, and matter, reflecting a spiritual quest and a fascination with the unconscious.
He collaborated with poets and writers, illustrating books for André Breton and Paul Éluard. His work was also marked by experiments with ceramics and tapestry.
Recognized for his contribution to modern art, Lenica received the National Arts Prize in 1963. His canvases, such as (1958), embody a dynamic harmony between structure and emotion.
He died in 1977 in Paris, leaving behind a prolific body of work exhibited in museums such as the Centre Pompidou and the Museum of Modern Art in Warsaw. Today, he is celebrated for his unique visual language, a blend of lyricism and formal rigor.
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