Evasion, 2003
Painting : acrylic, gold leaf · 37 x 37 x 1 cm 14.6 x 14.6 x 0.4 inch · Ready to hang
€1,290
1 290 €
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Shipped from: France
Delivery to: Germany , € 60
Estimated delivery: Less than one week
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
37 x 37 x 1 cm 14.6 x 14.6 x 0.4 inch Height x Width x Depth
Artwork dimensions including frame
52 x 52 x 4 cm 20.5 x 20.5 x 1.6 inch
Sold by
Art gallery
Credentials
Vetted seller since 2016 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
Beautiful bull on wood by José Pirès worked with acrylics and gilding.
Signed lower right and dated 2003.
Symbolizes freedom, the flight, the lightness of being.
Well known artist in the Camargue, José Pirès has worked many times on the theme of the bull and the Minotaur and on antiquity in general. He has won the official poster of Nimes' ferias twice and has exhibited all over Europe.
Signed lower right and dated 2003.
Symbolizes freedom, the flight, the lightness of being.
Well known artist in the Camargue, José Pirès has worked many times on the theme of the bull and the Minotaur and on antiquity in general. He has won the official poster of Nimes' ferias twice and has exhibited all over Europe.
Presentation
José Pirès paints, sculpts, engraves, cuts, draws silently or with music his own melody, his eulogy of the dream facing what takes it away from us. His creation sometimes search into myths and cult symbols. His oniric vision opens us intimate worlds, imagination mingling with memory a part of infinite. The artist explores the material and the bulks, the form and the color, searching for a grace.
Born in Nîmes, french and bresilian, José Pirès studied art in Rio de Janeiro before he came back to Nîmes Fine Art under the protection of Claude Viallat. His topics concern myts, signs, symbols and hints of the past. He often represents mythology and scenes where human gets along with sacralized animal, forming the marked weaving of his poetical/philosophical artwork, half between memory and oblivion.
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