Prussian Blue, 2015
Painting : pigment ink, paper, resin · 41 x 51 x 4 cm 16.1 x 20.1 x 1.6 inch
€1,561
1 561 €
Shipping & delivery
Shipped from: Belgium
Delivery to: Germany , € 122
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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Janise Yntema
Painting . 41 x 51 x 4 cm Painting . 16.1 x 20.1 x 1.6 inch
€1,561
Recommended by Artsper
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
pigment ink , paper , resin on board
Dimensions ( cm • inch )
41 x 51 x 4 cm 16.1 x 20.1 x 1.6 inch Height x Width x Depth
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Art gallery
Credentials
Vetted seller since 2015 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
Beeswax, resin and pigment on archival paper mounted on archival board matted. Unframed. This work is from a series of works on paper exhibited in the solo show: “The Temperature of Light” at Kean University, NJ 2015. Inspired by the ancient ceramic glaze of Jade Green pottery known as the Age of Celedon, the nuance of celedon is here explored within the refractive spectrum. Image size: 20 cm x 31 cm, 7.75” x 12” mounted on archival board 41 cm x 51 cm, 16” x 20” matted.
Presentation
Janise Yntema is an American painter born on March 29, 1962 in New Jersey. She studied at the St John the Divine Stoneyard Institute and then at the Art Students League in New York in 1979. From 1980 to 1984, she studied at the Parsons School of Design where she got a degree in Fine Arts. She currently lives and works in Brussels, Belgium.
Working with an old technique using wax (beeswax), her paintings are created from numerous layers of translucent applications of pigmented wax which are merged with a blowtorch to create a smooth and shiny surface, like skin. Yntema has used for her works marble powder, aluminium, iron powder, wood and wax. She said in 1996 that her work " Makes reference to figuration and landscapes, but it is abstract and abbreviated to include the initial intensity of the physical gestures"
She has done solo exhibitions in New York and throughout the United States as well as in London, Amsterdam and Brussels. Her works are part of collections and of several museums in Europe and in the United States, including the Museum of Modern Art and the Metropolitan Museum of Art.
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