Golden Hour, 2026
Thomas Krief  

Painting : steel, acrylic · 146 x 104 x 6 cm 57.5 x 40.9 x 2.4 inch

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Verified Reviews : 9.6/10
About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the artist

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cminch )

146 x 104 x 6 cm 57.5 x 40.9 x 2.4 inch Height x Width x Depth

Sold by

Independent artist

Credentials

Vetted seller since 2026

Description

Urban art meets the precision of portraiture here. This composition plays on a marked contrast between the energy of the gesture and the rigor of the material. The face emerges from a textured background, where ocher and gold tones intermingle with traces of black paint.
The technique is distinguished by the use of steel. Hundreds of small screws structure the face, creating a tactile relief and a singular depth. This meticulous work captures the light and transforms the viewer's gaze according to the angle of observation.
The Pop Art style is expressed through graphic lines and flat areas. Movement is omnipresent. Calligraphic strokes sweep across the canvas, bringing a spontaneous dynamism that dialogues with the fixity of the metal.
The balance rests on this duality. The technical mastery of the metallic elements opposes the freedom of the acrylic. The result is a modern image, anchored in contemporary culture.
The work, created in 2026, mixes paint and steel to depict a fragmented face on a luminous background.

Thomas Krief, Golden Hour

Thomas Krief

France  • 1993

Presentation

Born in the Alps, Thomas grew up amidst the mountains, skis on his feet. At 6 years old, he discovered freestyle skiing, a discipline that would become his first language of expression. 

For nearly twenty years, he competed at the highest international level, with medals at the World Championships, the X-Games, and World Cups. He also represented his country twice at the Winter Olympics in Sochi (2014) and Pyeongchang (2018). 

Beyond performance, image and creation hold a central place in his athletic journey. Thomas is distinguished by his style, his sense of aesthetics, and his ability to reveal the artistic dimension of his sport. 

In 2020, he opened a new chapter and fully dedicated himself to his second passion. Self-taught, Thomas develops a unique universe, nourished by urban culture, his travels, and a constant desire to experiment. He explores materials and plays with relief and light to create works with a powerful character. 

His work, whose collection "Screw Art" is one of the most emblematic expressions, is based on the duality that defines him: a balance between mastery and letting go. Each work is the result of in-depth research, mixed with an intuitive gesture where emotion guides the creation. 

Thomas does not confine himself to any medium and advocates for a practice in perpetual evolution. The whole forms a unique visual language, rooted in movement, textures, and light. A living art that dialogues with the viewer's emotions and invites reflection.

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