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Cesar,
2022
Bernard Pras
Photography : cibachrome
116 x 85 x 2 cm 45.7 x 33.5 x 0.8 inch
€5,000
5 000 €
Secure delivery : United States
+ €300
Shipping : One to two weeks
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About the artwork
Type
Numbered and limited to 12 copies
1 copy available
Signature
Signed artwork
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Medium
Dimensions cm • inch
116 x 85 x 2 cm 45.7 x 33.5 x 0.8 inch Height x Width x Depth
Support
Framing
Silver aluminium mounted
Artwork dimensions including frame
116.1 x 85.1 x 2.1 cm 45.7 x 33.5 x 0.8 inch
Tags
Artwork sold in perfect condition
Artwork location: France
Non-flush frame.
Photograph under diasec laminated on aluminium. With aluminum frame. Allows direct hooking.
Edition 8 + 4EA
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Photograph under diasec laminated on aluminium. With aluminum frame. Allows direct hooking.
Edition 8 + 4EA
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Presentation
Having spent part of his childhood in his grand-mother's grocery store, he has developed a strong and privileged relationship with objects and inventories of all sorts. At the crossing of pop art and performance, in-between figuration and ?dis-figuration?, Bernard Pras?s work doesn't leave any viewer indifferent?
A graduate of the Ecole des Beaux-Arts in Toulouse in 1974, Bernard Pras is a virtuoso of the anamorphosis and of the juxtaposition of eclectic objects, carefully chosen to be in resonance with his subjects; he creates an image that is comprehensible from a single, pre-defined point of view. this is the art of the secret perspective that Dürer was talking about?
Christian-Louis Eclimont says of the artist:
"An athlete of the optical effect, Pras moves between the infinitely composite and the infinitely composed, using his eye as a camera that captures the patterns while they are being projected.?"
Giving up his paintbrushes and painting for the hand, the object and a camera, he has been appropriating images of art history and contemporary society since 1998. The color and the stroke become object and the composition - an installation punctuated by dozens of images. Without photography, the installations would remain the privilege of a few, unique spectators of this metamorphosis during which the act of recycling becomes art.
Without this final moment that is the last picture taken, marked by a luminous flash, when the artist transforms the three dimensions in only two for the greatest pleasure of our eyes, Bernard Pras work could not exist.
More works from Galerie BAYART
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