XIV 396 // XIV Ethiopia (S), 2011
Jimmy Nelson  

Photography : C-print · 74 x 62 cm 29.13 x 24.41 inch

€7,439 7 439 €

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Shipped from: United States

Delivery to: France , € 107

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About the artwork

Type

Photography : numbered and limited to 9 copies

6 copies available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Not Signed

Technique & Support

Dimensions ( cm • inch )

74 x 62 cm 29.13 x 24.41 inch Height x Width x Depth

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Credentials

Vetted seller since 2023

Description

Series: Before They Pass Away.

"XIV 396 - Bodita, Arboshash & Nirjuda - Dassanech Tribe - Omorate Village, Southern Omo - Ethiopia, 2011.

The Omo Valley, situated in Africa's Great Rift Valley, is home to an estimated 200,000 indigenous peoples who have lived there for millennia. The 20,000-strong Dassanech (meaning 'People from the Delta") inhabit the southernmost region of the valley, where the Omo River Delta enters Lake Turkana.

“A close friend can become a close enemy."

Cattle are central to the lives of the Dassanech. When they lose their cattle due to disease, drought or raid by neighboring indigenous groups, they turn to the world's largest desert lake for sustenance. The traditional culture is typical in that it is not strictly defined by ethnicity, as anyone can be admitted."

All available sizes and editions:

29.13" x 24.41", Edition of 9

47.24" x 39.37", Edition of 6

66.93" x 55.11", Edition of  3

81.69" x 66.93", Edition of 1

Nude

Portrait

Africa

Costumes

Tradition

Black

Jimmy Nelson, XIV 396 // XIV Ethiopia (S)

Jimmy Nelson

United Kingdom  • 1967

Presentation

I take pictures. I make images. Unlike film, which overwhelms you with movement and sound, defining the ongoing moment, a photograph just sits there quietly while you decide what it is saying.


I strongly believe that artists must always be part of a conversation, and share provocative ideas. My idea is that of aesthetic and empowerment for a better world. I hope that with my work, remote, indigenous people (in many cases without a global perspective) get a better sense of their uniqueness and importance in the world we all live in, which will support them to be more resilient to the pressures around them.


This personal artistic documentation is a way of re-igniting the fire and pride within and for indigenous people, of creating mutual respect for all people, and of empowering future generations all over the world to illuminate their cultural heritage.


So all of us will see the bigger picture and stand united in our diversity, to meet the enormous challenges we face as humankind in the decade to come.

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