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Joseph Ó Riagáin Blue Flash on Glass, 2021

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$ 2,677 $ 3,149

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About the seller

Professional art gallery

Berlin, Germany

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About the work
  • Medium

    Photography : UV print

  • Dimensions cm | inch

    15.7 x 15.7 x 0.4 inch

  • Support

    Photography on glass

  • Framing

    Not framed

  • Type

    Numbered and limited to 20 copies
    19 remaining copies

  • Authenticity

    Work sold with an invoice from the gallery
    and a certificate of authenticity

  • Signature

    Hand-signed by artist

  • About the artwork

    Artwork sold in perfect condition

    This artwork has been created by UV-Printing directly onto glass and is part of Ó Riagáin's new upcoming Berlin art exhibition, "Still Life", in 2021.

    This unique specially developed direct-to-substrate printing method creates incredibly deep contrasts and defined depths of focus that are difficult to obtain with other mediums.

    Stunning layering effects and light reflexes are sure to catch the eye of even the most discriminating collector.

    Backlighting creates an awesome pop art / stained glass effect that really brings the image to life.

    This image was created using multicolor immunofluorescence laser scanning confocal microscopy of 3D "micro anatomies" cultured in vitro matrix.

    The displayed images here show the artwork mounted and backlit (brighter images) and laying flat on a table with no backlighting.

    The artwork can be mounted with or without backlighting, e.g. in front of a light source or mounted inside a lightbox. Specially made lightboxes and wooden stands are available on request from josephreganart.com

    Different sizes and companion pieces are also available on request from joseph@josephreganart.com
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Origin: Germany
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Joseph Ó Riagáin

Germany Born in: 1985

Joseph Ó Riagáin is a Berlin based Irish artist and scientist. With training in visual arts and sciences from Technological University Dublin (Ireland), Ghent University (Belgium) and The University of London (UK), and interests at the intersection of art and science, Ó Riagáin uses advanced digital imaging and contemporary photography techniques to explore our perceptions of life and the the world around us. 

These themes are the subject of Ó Riagáin's ongoing solo exhibition, "µAnatomia - Cosmos in Miniature", which premiered at Artist Homes Gallery in Berlin last year. 

While discussing these themes in a in a recent interview Ó Riagáin said, "Art and science are inextricably linked, although they are often portrayed as two separate spheres. The aim of the arts is to express the human condition. The purpose of science is to pursue the truth of the universe.

"Both artist and scientist are motivated by the pursuit of an idea, which, for the artist, may tackle the heart of human nature, and for the scientist, the nature of a single human heart. In either case, the idea exists only in the mind and represents the result of imagination and creativity. While a scientist narrows their focus through a microscope in order to reveal the truth of human existence, an artist may focus on a single element of human existence in order to reveal the truths of humanity.

"The goal of an artist is to create an original work that represents a subjective truth. In contrast, creativity in science generates novel ideas that aspire to produce a verifiable representation of an objective truth, of which artistic works are often a byproduct.

"Today’s scientists can use advanced imaging technologies such as confocal laser scanning and super-resolution microscopy to gaze upon and study the very molecules that make us and, in a diseased body, break us.

"The biologist and author Stephen Jay Gould once wrote that “we reveal ourselves in the metaphors we choose for depicting the cosmos in miniature.” The images on display in my exhibition are such metaphors. Each a miniature cosmos created in a lab so that a scientist like me may focus their gaze through a microscope to pursue an idea, in the hope that they may reveal a truth of human existence. These images allow us to look within ourselves and expose a surprising and often fragile beauty that reveals, just as art and science are two sides of the same coin, so too are life and its most terrible malady."

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