L'atelier, 1970
Print : lithography · 50 x 36 cm 19.7 x 14.2 inch
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Verified Reviews : 9.6/10
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About the artwork
Type
Print : numbered and limited to 160 copies
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
50 x 36 cm 19.7 x 14.2 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2016 • Top Seller
Description
Original lithograph signed in pencil by the artist, numbered.
Presentation
Born in 1922 / 2012 in Saint-Marcellin, in Isère, André Cottavoz studied at the Ecole des Beaux-Arts. After 1945, he participated in several exhibitions and gets Fénéon prices in 1953.
With artists from the Ecole des Beaux-Arts, he formed what was then called "new figuration of the School of Lyon" or "sanzisme". Fusaro, Truphémus Charrin and join Cottavoz to express trends, namely the search for not only natural light but springing from the same cloth. Also (this is still the essence of Cottavoz's painting), there that will submit the subject, whatever it is, to a notion of thickness obtained by superimposed layers, born of a work mixing, kneading brush, knife in hand.
From 1946, with regularity, the exhibitions followed in France and abroad (Geneva, Milan, Bale, Turin, Amsterdam, Caracas, Tokyo ...). His works have been acquired by numerous museums in France (National Museum of Modern Art, Municipal Museum of the City of Paris ...) and abroad (Luxembourg, Turin, Tokyo and Yamagata, Japan).
With artists from the Ecole des Beaux-Arts, he formed what was then called "new figuration of the School of Lyon" or "sanzisme". Fusaro, Truphémus Charrin and join Cottavoz to express trends, namely the search for not only natural light but springing from the same cloth. Also (this is still the essence of Cottavoz's painting), there that will submit the subject, whatever it is, to a notion of thickness obtained by superimposed layers, born of a work mixing, kneading brush, knife in hand.
From 1946, with regularity, the exhibitions followed in France and abroad (Geneva, Milan, Bale, Turin, Amsterdam, Caracas, Tokyo ...). His works have been acquired by numerous museums in France (National Museum of Modern Art, Municipal Museum of the City of Paris ...) and abroad (Luxembourg, Turin, Tokyo and Yamagata, Japan).
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