Ludmila en el río en una tarde de verano, 2003
Print : lithography · 30 x 50 x 0.1 cm 11.8 x 19.7 x 0 inch
$315
315 $US
Shipping & delivery
Shipped from: Spain
Delivery to: United States , $ 39
Estimated delivery: One to two weeks
Free returns within 14 days, full refund
Authenticity guaranteed
Sold with certificate of Authenticity from the artist
Invoice from the gallery Learn more
Secure payment • Card, Amex, PayPal...
We accept several payment methods:
Paypal
American Express
Visa
Mastercard
Apple Pay
Google Pay
- Credit cards (Visa, MasterCard)
- American Express
- PayPal
- Bank transfer
- Gift card
- Apple Pay / Google Pay
All payments are secured with 3D Secure validation to protect your confidential information.
Verified Reviews : 9.6/10
Similar works
About the artwork
Type
Print : numbered and limited to 10 copies
3 copies available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
lithography on paper
Dimensions ( cm • inch )
30 x 50 x 0.1 cm 11.8 x 19.7 x 0 inch Height x Width x Depth
Sold by
Art gallery
Professional art gallery • Spain
Credentials
Vetted seller since 2023
Description
Title: Ludmila en el río en una tarde de verano (Ludmila on the river on a summer afternoon) (Codified Paintings series) Year: 2003 Lithograph Four-colour printing on paper Greisse Guarro 250 grms. Sheet size 38 x 50 cm. Edition numbered and signed in pencil: 100 copies + 10 artist's proofs + 4 Hc.
This is the artist's proof copy number IV/X with a signed certificate from the artist. Beautiful print in bright colours
Codified Paintings
Taking as a reference the analysis of deconstruction and the supposed unviability of the codes of communication for representation, and more specifically of pictorial language, Imanol Marrodán, using a "heuristic" method and through his "Codified Paintings", aims to deny the historical representational quality of the pictorial method, in order to make his works independent "objects", finally freed from their representational obligation. It is the "Object Image" that asserts itself by its simple material presence and becomes an autonomous body, an "artfact" that claims a new way of being contaminated.
The ontological reason for these paintings, called "Nuclei of Emotion" or "Coded Paintings", is determined by colour and light, which are the essence of sensory communication and emotional transmission beyond any rational explanation.
These objects are framed within the Zen aesthetic, and are a reference to the Taoist universe and Eastern thought and culture.
This is the artist's proof copy number IV/X with a signed certificate from the artist. Beautiful print in bright colours
Codified Paintings
Taking as a reference the analysis of deconstruction and the supposed unviability of the codes of communication for representation, and more specifically of pictorial language, Imanol Marrodán, using a "heuristic" method and through his "Codified Paintings", aims to deny the historical representational quality of the pictorial method, in order to make his works independent "objects", finally freed from their representational obligation. It is the "Object Image" that asserts itself by its simple material presence and becomes an autonomous body, an "artfact" that claims a new way of being contaminated.
The ontological reason for these paintings, called "Nuclei of Emotion" or "Coded Paintings", is determined by colour and light, which are the essence of sensory communication and emotional transmission beyond any rational explanation.
These objects are framed within the Zen aesthetic, and are a reference to the Taoist universe and Eastern thought and culture.
Presentation
Imanol Marrodán. Bilbao 1964, Basque Country.
An interdisciplinary creator and researcher, he carries out, among other activities, critical work through various events related to art and contemporary thought as part of his personal creative project.
The concept of limit, inspired by the idea of the ancient Roman "limes", quoted by the philosopher Eugenio Trias as a metaphor for a civilised and rationally controlled knowledge, is the starting point of a concept of limit that is not understood as the end of something, but as a means to a new "beginning" of renewal, growth and evolution.
It is the process of forming an experience that shares a socio-political habitat in an industrial, materialistic, technological and artificial world, as opposed to a natural environment closely linked to the laws of the universe, which we hardly know, but which we still feel and sense.
As a conclusion and main priority, Imanol Marrodán's creative project seeks to highlight and bring to light the different uses, utilities and practical applications of contemporary creation as one of the essential driving forces behind the future of a social, political and economic community, helping to determine, in a transversal manner, its changes and evolutions.
He has exhibited in countries such as the United Kingdom, France, Germany, Portugal, Belgium, Korea, Argentina, Chile, Switzerland and the United States. His work has been shown in international contemporary art fairs such as ARCO, VALENCIA ART, ARTE SANTANDER and DFOTO (Spain), ART COLOGNE and KUNST KÖLN (Germany), KIAF (Seoul, Korea), ArteBA (Buenos Aires, Argentina), BALELATINA (Basel, Switzerland)...etc...
His work is widely represented in museums, public institutions and private collections.
Discover similar artists
Reviews from our customers
All our reviews are extracted from Verified Reviews
You may also like
Imanol Marrodán
Print . 90 x 120 x 0.1 cm Print . 35.4 x 47.2 x 0 inch
$1,459
Imanol Marrodán
Photography . 30 x 40 x 0.1 cm Photography . 11.8 x 15.7 x 0 inch
$992
Imanol Marrodán
Photography . 44 x 30 x 0.1 cm Photography . 17.3 x 11.8 x 0 inch
$1,050
Evgenia Makarova
Painting . 100 x 80 x 0.1 cm Painting . 39.4 x 31.5 x 0 inch
$2,200
Imanol Marrodán
Painting . 29.4 x 47.5 x 1 cm Painting . 11.6 x 18.7 x 0.4 inch
$1,750
Imanol Marrodán
Photography . 30 x 53.3 x 0.1 cm Photography . 11.8 x 21 x 0 inch
$1,167
Victor Debach
Print . 50 x 70 x 0.1 cm Print . 19.7 x 27.6 x 0 inch
$175
Recommended by Artsper
Imanol Marrodán
Print . 90 x 120 x 0.1 cm Print . 35.4 x 47.2 x 0 inch
$1,459
Imanol Marrodán
Photography . 50 x 40 x 0.1 cm Photography . 19.7 x 15.7 x 0 inch
$1,284
Imanol Marrodán
Painting . 150 x 242.3 x 1 cm Painting . 59.1 x 95.4 x 0.4 inch
$23,338
Eric Winzenried
Painting . 92 x 65 x 2.4 cm Painting . 36.2 x 25.6 x 0.9 inch
$2,824
Imanol Marrodán
Print . 90 x 120 x 0.1 cm Print . 35.4 x 47.2 x 0 inch
$1,459
Imanol Marrodán
Photography . 30 x 40 x 0.1 cm Photography . 11.8 x 15.7 x 0 inch
$992
Celia Fernandez
Painting . 50 x 76 x 3.4 cm Painting . 19.7 x 29.9 x 1.3 inch
$3,034
Imanol Marrodán
Painting . 150 x 242.3 x 1.5 cm Painting . 59.1 x 95.4 x 0.6 inch
$23,338
Eric Winzenried
Painting . 61 x 50 x 2.2 cm Painting . 24 x 19.7 x 0.9 inch
$1,225
Celia Fernandez
Painting . 122 x 76 x 3 cm Painting . 48 x 29.9 x 1.2 inch
$7,001
Long-Deng Xiong
Fine Art Drawings . 152 x 97 x 0.1 cm Fine Art Drawings . 59.8 x 38.2 x 0 inch
$17,970
Imanol Marrodán
Photography . 30 x 45 x 0.1 cm Photography . 11.8 x 17.7 x 0 inch
$1,050
Long-Deng Xiong
Fine Art Drawings . 152 x 97 x 0.1 cm Fine Art Drawings . 59.8 x 38.2 x 0 inch
$17,970
Imanol Marrodán
Photography . 30 x 40 x 0.1 cm Photography . 11.8 x 15.7 x 0 inch
$992
Imanol Marrodán
Print . 70 x 115 x 0.2 cm Print . 27.6 x 45.3 x 0.1 inch
$1,692
Imanol Marrodán
Photography . 30 x 30 x 0.1 cm Photography . 11.8 x 11.8 x 0 inch
$788
Eric Winzenried
Painting . 61 x 46 x 2.2 cm Painting . 24 x 18.1 x 0.9 inch
$1,225