Arbre Caducée, 2009
Jean-Paul Agosti   Emerging artists

Print : paper, Screen Print · 90 x 90 x 0.2 cm 35.4 x 35.4 x 0.1 inch · Ready to hang

$2,577 2 577 $US
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Shipped from: France

Delivery to: United States , $ 351

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Verified Reviews : 9.6/10
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About the artwork

Type

Print : numbered and limited to 30 copies

30 copies available

Condition

Artwork sold in perfect condition, framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

90 x 90 x 0.2 cm 35.4 x 35.4 x 0.1 inch Height x Width x Depth

Artwork dimensions including frame

95 x 95 x 4 cm 37.4 x 37.4 x 1.6 inch

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Description

This work captures the vibrant essence of a forest bathed in autumn light. The bold play of colours, with shades of deep blue, burning orange and touches of luminous green, creates a scene that is both dynamic and calming. The sun, filtering through the trees, illuminates the undergrowth with a golden glow, accentuating the rich texture of the foliage. The bursts of light seem almost palpable, evoking a sense of movement and life. The contrast between areas of light and shadow enhances the depth of the painting, guiding the eye through a detailed exploration of every aspect of the composition. This work is distinguished by its ability to evoke the olfactory and auditory sensations of a walk in the forest through its mastery of colour and form.

Abstract

Abstract art

Colors

Dark blue

Red

Jean-Paul Agosti, Arbre Caducée
France  • 1948
179 followers

Presentation

Jean-Paul Agosti has always been fascinated by nature . Born in Paris in 1948, eldest son of Paul and Jeanne Facchetti (photographer and gallery owner), he manifested his vocation as a painter very early and entered the Ecole des Beaux-Arts in Paris in 1965. At the time, his friends were the designer Philippe Stark, the painters Gérard Garouste , Alekos Fassianos , Jean Pierre Pincemin etc.

It was in the 1970s that Agosti really entered into painting. What interests him above all is the symbolism of the garden , the problems of control and architecture of space that this poses.

In 1976 he moved to Gif-sur-Yvette in the abandoned grounds of an old abbey where there was a very beautiful garden which he began to paint. At that time he learned the technique of watercolor . The unusual vision he gives of the garden allows us to guess beyond the simplicity of appearances the complexity of a world to be grasped: there are in the same space, for those who know how to see, different levels of reality to discover.

The meeting with the Polish mathematician Benoît Mandelbrot and the discovery of fractal thinking were decisive for Agosti in his personal vision: he realized that scientists formalize with their instruments what he intuitively returns in his work. The artist will then create a hyperbolic space where polychrome (or monochrome ) images will appear at different scales. In this space-time and this new perspective, he constantly changes scales, postures and techniques to better reflect a tree structure. For Agosti there is the baroque idea of the mise en abyss of the image and the ordering of an original chaos. The figure of the "Tree", as a structure and as a symbol, is omnipresent in his work.

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