Japon, 1976
Print : Screen Print · 84 x 59.8 x 0.1 cm 33.1 x 23.5 x 0 inch
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Verified Reviews : 9.6/10
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About the artwork
Type
Print : numbered and limited to 120 copies
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
84 x 59.8 x 0.1 cm 33.1 x 23.5 x 0 inch Height x Width x Depth
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Credentials
Vetted seller since 2025 • Top Seller
Description
This original silkscreen print by Raymond Hains is a strong and characteristic example of the artist's conceptual approach to image, text, and urban visual culture. From the portfolio La Biennale Éclatée (The Biennale Disbanded) 1976.
The silkscreen print is hand-signed, dated, and numbered in pencil in the lower right.
Sheet size approximately 100 × 70 cm.
Raymond Hains used ribbed glass to distort the covers of catalogues from various countries invited to the Biennales of 1964 and 1966 : Brazil, China, the United Kingdom, Spain, Japan, Israel, and the United States.
This silk screen is based on a Japan catague.
Publisher : Galerie L'Elefante 1976.
Exposition : François Dufrêne - Raymond Hains : Une amitié entre l'art et les mots. Paris 2012.
The composition reflects Hains' long-standing fascination with typography, fragmentation, street imagery, and the poetic disruption of everyday visual language. Balancing abstraction and legibility, the work directly relates to his décollage practice and his engagement with torn posters, street signs, and layered urban surfaces.
Authenticity and provenance guaranteed.
Delivered with a certificate of authenticity.
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Custom handmade framing available on request.
Presentation
Raymond Hains (9 November 1926 - 28 October 2005) was a French artist and photographer. Raymond Hains is a master of virtual reality. He is an internationally recognized artist who has been standing out since the '50s through his unique vision of the world. The image and the text are at the center of his practice.
The artist tries to demonstrate that everything is a sign, whether it be names of people, places, their photos or pictures referring to them indirectly (by analogy, by homophony, etc). And as he has a great sense of humor and a sense of wonder, he offers us his version of the facts as a child would imposes his point of view in front of the adults: with a poetic touch.
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