Blue acacia | Minimal Blue Botanical Contemporary Print, 2021
Eugenie Killikh  

Print : fine art print · 88.9 x 61 x 0.1 cm 35 x 24 x 0 inch

€834 834 €

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Shipped from: United States

Delivery to: Germany , € 120

Estimated delivery: Less than one week

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Verified Reviews : 9.6/10
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About the artwork

Type

Print : numbered and limited to 10 copies

10 copies available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

88.9 x 61 x 0.1 cm 35 x 24 x 0 inch Height x Width x Depth

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Credentials

Vetted seller since 2024 • Top Seller

Description

This contemporary botanical print presents a fragment of an acacia tree reimagined through a restrained and modern color palette. The leaves, rendered in deep blue tones, contrast with a warm neutral background, creating a refined balance between natural form and artistic interpretation. The composition emphasizes structure, rhythm, and negative space, allowing the viewer to engage with the work in a calm and contemplative way.

The piece is particularly suited for modern interiors, where subtle visual elements and clean compositions are preferred. Its understated aesthetic makes it an excellent addition to minimalist, Scandinavian, or Japandi-style spaces. A strong choice for collectors seeking elegant botanical artwork or as a sophisticated gift.

Fine Art Giclee Prints. Archival pigmented inks. High color accuracy. Fine art paper. Carefully packed and shipped rolled in a sturdy protective tube.

Floral

Botany

Branches

Sky

Colors

Trees

Sky blue

Eugenie Killikh, Blue acacia | Minimal Blue Botanical Contemporary Print
France  • 1974

Presentation

Eugenie Killikh is a French visual artist born in Moscow. She graduated from the State Institute of Cinematography and the Higher Courses for Scriptwriters and Film Directors, later working in documentary and commercial film production. A winner of international film festivals, she transitioned to art photography and video art in 2020, where her cinematic perception evolved into a meditative exploration of nature and form.

Since 2023, Killikh has exhibited her works internationally, including solo shows and in St. Petersburg, and participated in the and in Magnitogorsk. In 2024, she became a nominee and winner of the Palazzo Ulmo Art Residency in Taranto, Italy. Her works are held in private and institutional collections across Europe.

Killikh's artistic language merges photography, collage, and video, revealing the subtle dialogue between observation and imagination. Using fragments of reality—petals, clouds, reflections—she constructs poetic compositions where nature and human emotion intertwine. Her method of manual collage and cinematic sequencing transforms static moments into living universes.

Through her art, Killikh seeks a point of balance between the real and the fictional, inviting viewers into a contemplative state — where silence, light, and rhythm become metaphors for existence.

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