Affiche Signée Daniel Arsham x Perrotin – Grey Selenite Eroded Antinous as Bacchus, 2020
Print : C-print · 60 x 40 x 1 cm 23.6 x 15.7 x 0.4 inch
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Shipped from: France
Delivery to: Germany , € 63
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Verified Reviews : 9.6/10
About the artwork
Type
Print : numbered and limited to 150 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
60 x 40 x 1 cm 23.6 x 15.7 x 0.4 inch Height x Width x Depth
Sold by
Art gallery
Professional art gallery • France
Credentials
Vetted seller since 2016
Discount
This seller offers discount when you purchase multiple artworks.
Description
The gaze falls upon a dialogue between antiquity and the future. This bust revisits classical aesthetics with surgical precision. The white marble, a symbol of purity and permanence, undergoes a deliberate erosion here.
Missing fragments reveal crystals that seem to grow inside the stone. This mineral decomposition transforms the face into an archaeological vestige of a time to come.
The artist plays on the contrast between the perfection of the features and the brutality of the breaks. The work on volumes emphasizes the fragility of time.
Each crystalline detail brings an organic texture to the rigidity of the geometric base. This piece questions our relationship to memory and disappearance.
The technical execution ensures visual fluidity, where the void becomes a central element of the composition. The whole rests on a streamlined rectangular block.
Presentation
Daniel Arsham, born in 1980 in the USA, is a renowned visual artist whose work explores the intersections of art, architecture, and performance. Arsham's works have been featured in numerous exhibitions across the globe, with his most recent solo exhibition in 2024 at the prestigious Museum of Contemporary Art in Los Angeles. His most recent project includes a collaboration with BTS, where he designed a series of sculptures and digital artworks inspired by the band's music and aesthetics. Additionally, Arsham's immersive art installations continue to push boundaries, blurring the lines between sculpture, architecture, and digital media.
Raised in Miami, Florida, Arsham pursued his studies at Cooper Union for the Advancement of Science and Art in New York, where he continues to live and work today.
Arsham's creative practice often centers around eroded walls, landscapes adorned with futuristic structures, and the manipulation of forms, spaces, and volumes. His work is characterized by its playful exploration of materiality, often blurring the lines between the real and the imagined, inviting viewers to reconsider their perceptions of time, decay, and transformation.
One of Arsham's most significant collaborations was with legendary choreographer Merce Cunningham. For Cunningham, Arsham created a unique stage design and performed alongside him in the USA, France, and Australia, marking a distinctive fusion of visual art and performance. This partnership was followed by additional collaborations with choreographers, most notably Jonah Bokaer, which led to Arsham's participation at the prestigious Festival d'Avignon.
In 2013, Arsham collaborated with music producer Pharrell Williams, recreating Pharrell's first keyboard using volcanic ash, further showcasing his ability to merge art and pop culture in innovative ways.
Arsham's distinctive works can be found in galleries and collections worldwide. His innovative approach to monochromatic art continues to captivate audiences. Explore his works and many more in our collection of Artists Working in Monochrome, showcasing artists who experiment with color, texture, and form to create stunning visual experiences.
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