Mother, 2007
Print : dry point, etching · 120 x 90 cm 47.2 x 35.4 inch
$4,555
4 555 $US
One of the last works available by this artist
Shipping & delivery
Shipped from: France
Delivery to: United States , $ 310
Estimated delivery: Less than one week
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Verified Reviews : 9.6/10
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About the artwork
Type
Print : numbered and limited to 12 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Signed artwork
Dimensions ( cm • inch )
120 x 90 cm 47.2 x 35.4 inch Height x Width x Depth
Sold by
Art gallery
Professional art gallery • France
Credentials
Vetted seller since 2013
Description
Using only the drypoint technique, printmaker Kim Westcott translates into her work the intimate vibrations of nature.
She depicts the abstract movements of the Australian landscape in all its diversity, from the Central Desert to the Southern coastline or the Great Dividing Range, a mountain range located near the place where the artist has been living since 2001, in the state of Victoria.
Kim Westcott works with large format copper plates that she scratches and then sprays various materials on them, pushing the conventional limits of etching. She often uses tools from industrial sectors to create her ornaments. She is open to the visual opportunities and to the lyrical dynamism of this method and uses the cavities created by the lines and the points she scratches on copper. She also applies this instinctive working style to her inking techniques that she uses in order to print her works directly on the copper plates.
She depicts the abstract movements of the Australian landscape in all its diversity, from the Central Desert to the Southern coastline or the Great Dividing Range, a mountain range located near the place where the artist has been living since 2001, in the state of Victoria.
Kim Westcott works with large format copper plates that she scratches and then sprays various materials on them, pushing the conventional limits of etching. She often uses tools from industrial sectors to create her ornaments. She is open to the visual opportunities and to the lyrical dynamism of this method and uses the cavities created by the lines and the points she scratches on copper. She also applies this instinctive working style to her inking techniques that she uses in order to print her works directly on the copper plates.
Presentation
Born in 1968, Kim Westcott is an Australian engraver.
Kim Westcott creates state of the art abstract engravings, she draws inspiration from various landscapes of her surroundings.
During the creative process, Kim Westcott hollows out and scratches the copper plate. Then she applies material through pulverizing. An innovative technique in the world of engraving. She readily uses industrial tools to create ornaments and bearings. She exploits every single cavity of lines and points that she creates on copper.
Kim Wescott's work is dynamic and lyrical. She gives a spiritual aspect to her work, incorporating a reflection on representing the geographic environment. Her creations are displayed in several collections in Australia and abroad.
Kim Westcott creates state of the art abstract engravings, she draws inspiration from various landscapes of her surroundings.
During the creative process, Kim Westcott hollows out and scratches the copper plate. Then she applies material through pulverizing. An innovative technique in the world of engraving. She readily uses industrial tools to create ornaments and bearings. She exploits every single cavity of lines and points that she creates on copper.
Kim Wescott's work is dynamic and lyrical. She gives a spiritual aspect to her work, incorporating a reflection on representing the geographic environment. Her creations are displayed in several collections in Australia and abroad.
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