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Les Pecheries, 1950
Maurice Chot-Plassot  

Print : etching · 27.8 x 38 x 0.3 cm 10.9 x 15 x 0.1 inch

€250 250 €
Delivered in time for Christmas

One of the last works available by this artist

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Shipped from: Italy

Delivery to: Germany , € 23

Estimated delivery: Three to four weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Print : numbered and limited to 80 copies

1 copy available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

27.8 x 38 x 0.3 cm 10.9 x 15 x 0.1 inch Height x Width x Depth

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Credentials

Vetted seller since 2019 • Top Seller

Description
Les Pecheries is an original work realized by Maurice Chot-Plassot in the half of the XX Century.
Original etching on paper.
Hand-signed in pencil on the lower right corner.
Titled in pencil on the lower central side.
Numbered on the lower left corner.

Contrasting artwork representing an abstract composition with dark arms and vertical lines going down into a very dark sea. The composition is realized with very dark strokes and there are several points of fires.

The work has been realized by the French artist Maurice Chot-Plassot (Neuilly-sur-Seine, 1929 - ?). He studied at the ateliers of Bersier, Cami, Galanis ed Goerg. He obtained, in 1956, the Second Prix of Rome for the engraving. He participated to different group expositions, at the Salon d'Automne and at the Salon des Peintres Graveurs Français and became a member from 1964. He was best known for etchings and xylographs. The light effects, in his work, are realized with a very high contrast between black and white.
Maurice Chot-Plassot, Les Pecheries
France

Presentation

Maurice Chot-Plassot (Neuilly-sur-Seine, 1929 - ?). He studied at the ateliers of Bersier, Cami, Galanis ed Goerg. He obtained, in 1956, the Second Prix of Rome for the engraving. He participated to different group expositions, at the Salon d'Automne and at the Salon des Peintres Graveurs Français and became a member from 1964. He was best known for etchings and xylographs. The light effects, in his work, are realized with a very high contrast between black and white.

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