Ohne Titel, 2020
Angelika Summa  

Sculpture : Wire · 20 x 14 x 5 cm 7.9 x 5.5 x 2 inch

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Verified Reviews : 9.6/10
About the artwork

Type

Sculpture : Unique artwork

Condition

Artwork sold in perfect condition

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Founder's stamp

Technique & Support

Wire , without pedestal

Display

The sculpture can be displayed outdoors

Dimensions ( cm • inch )

20 x 14 x 5 cm 7.9 x 5.5 x 2 inch Height x Width x Depth

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Credentials

Vetted seller since 2023

Description

A tightly woven swirl of black wire captivates the viewer. The wire spiral is artfully woven, with small, pearl-like elements at the ends, lending the work depth and movement. The wall sculpture suggests an organic, almost living quality. The complexity of the weave resembles forms from nature, evoking nests, blossoms, and the like. The combination of material and form makes the work both modern and timeless.

The work is made of black wire and bears the artist's signature seal.
The work is not intended for outdoor use.

Abstract

Wall sculpture

Iron wire

Black

Germany  • 1952

Presentation

1952 born in Bayreuth, lives and works in Würzburg since 1986 freelancer

until 1991 studies of art history, archeology and German language and literature (M.A.)

1995 cultural promotion award of the city of Würzburg

1998/99 studio support program of the Freistaat Bayern

since 2008 Lecturer for Body Sculpture, Art Education University Würzburg

2009 Sculpture Symposium Kaiserslautern, Art Association Sculptures Rhineland-Palatinate

2010 Paul Ernst Wilke Scholarship Bremerhaven Skulptura, Sculpture Symposium Beckingen, Saarland

2014 PEMA Culture Award of the KV Bayreuth

2014 Culture Award of the City of Würzburg

2015 Art award of the city of Ansbach (2nd prize)

Angelika Summa's artistic concept aims neither at outlining nor at exposing volumes. Her interest is in three-dimensional structures that spread out in simple forms. These loose spatial meshes of collected, industrially prefabricated wires, tubes, ribbons, or ropes of metal rhythmize a space whose boundaries remain indistinctly overgrown. The structure of these growths is the core theme of the sculptor. Her sculptures fascinate by the symbiosis of the industrial uniformity of the material with an organic seeming order. Natural movements, such as proliferation, flowing, pulsating, circling, growing, decaying, meandering and the like, are always echoed in them. In Angelika Summa's artistic language, relics of our time are uniquely given a timeless meaning and a spiritual dimension in a new compound.

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