Elisa, 2026
Sculpture : metal, gold leaf, stainless steel, copper · 33 x 20 x 10 cm 13 x 7.9 x 3.9 inch
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Verified Reviews : 9.6/10
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About the artwork
Type
Sculpture : Unique artwork
Condition
Artwork sold in perfect condition
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Engraved signature
Technique & Support
metal , gold leaf , stainless steel , copper with plexiglass pedestal
Dimensions ( cm • inch )
33 x 20 x 10 cm 13 x 7.9 x 3.9 inch Height x Width x Depth
Dimensions of pedestal:
2 x 10 x 10 cm 0.8 x 3.9 x 3.9 inch
Sold by
Art gallery
Credentials
Vetted seller since 2021 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
This captivating artwork features a gleaming gold sculpture of a faceless, armless female torso. The artist excels in the use of rough, irregular textures that lend the piece remarkable depth and an organic feel. Set upon a transparent base, the sculpture appears to float, accentuating its ethereal allure. The voluptuous, asymmetrical curves emphasize the imperfect beauty of the body, inviting the viewer to reflect on the very essence of femininity. The golden sheen beautifully captures the light, creating a play of shadow and reflection that shifts with the viewer's perspective. This work is a bold celebration of the human form, transcended by the luxurious material and innovative artistic approach. It stands not only as an homage to classical art but also as a contemporary statement on individuality and inner beauty.
Presentation
Alain Mandon presents himself as a self-taught artist. First a painter and then a sculptor, he created his first sculpture 5 years ago now, driven by his wife's breast cancer (ablation then breast reconstruction). Unable to accept himself in his new physique, he creates a first bust made from the molding of her body, wishing to show her her beauty in broad daylight. A first success both psychologically for his wife and artistically, which will consolidate him to realize other pieces with this technique.
Since then, he has devoted a large part of his work to the creation of sculpted busts representing fragments of almost essentially female bodies. Working from real models, he first makes a plaster cast and then uses it to shape his sculptures in the projection of molten tin.
Alain Mandon is particularly attracted by the raw aspect of materials such as pigments, sand, resin, concrete, but also metal in general and pewter in particular, which over time has become his favorite material. The artist will work with the material in such a way as to give them an uneven effect as if they had been eaten away by time, which gives an almost antique aspect to his sculptures, like relics that have survived the centuries.
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