Univers, 2026
Fanny Gueniot  

Sculpture : ceramic · 13 x 14 x 1 cm 5.1 x 5.5 x 0.4 inch

€250 250 €
Shipping & delivery

Shipped from: France

Delivery to: France , € 18

Estimated delivery: One to two weeks

Free returns within 14 days, full refund

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Sold with certificate of Authenticity from the artist

Invoice from the artist Learn more

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Verified Reviews : 9.6/10
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About the artwork

Type

Sculpture : Unique artwork

Condition

Artwork sold in perfect condition

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the artist

Signature

Hand-signed by artist

Technique & Support

ceramic , without pedestal

Dimensions ( cminch )

13 x 14 x 1 cm 5.1 x 5.5 x 0.4 inch Height x Width x Depth

Sold by

Independent artist

Credentials

Vetted seller since 2026

Description

The sculpture presents itself as a ceramic composition where abstraction seems to progressively give birth to recognizable forms. The square frame, covered with a deep blue glaze, evokes a kind of space or membrane around a central core. The irregular and undulating shapes of blue give an impression of movement, almost like waves, clouds, or a transforming material.

In the center, a dark, circular form immediately draws the eye. Its concentric circles, resembling waves or rings of growth, seem to depict a planet, a star, a vortex, or even a miniature world. This ambiguity is important: the work does not seek to precisely represent an object, but to allow the gaze to bring one forth.

This reading corresponds particularly well to the artist's approach. In his work, the figure is not necessarily drawn or modeled in an explicit way: it appears from the material, in a balance between abstraction and figuration. The artist deliberately leaves a space for the unforeseen and for the viewer's interpretation.

Abstract

Circle

Black

Dark blue

Fanny Gueniot

France  • 1987

Presentation

Fanny Gueniot is a French visual artist who develops a practice crossing painting, drawing, and ceramics. Her pictorial and sculptural practice revolves around the figure, conceived not as a simple representation, but as a fragile apparition, in tension between presence and disappearance. Her works are constructed in a deliberately unstable balance between abstraction and figuration, leaving an essential place for the unfinished, for floating, and for the circulation of the gaze. Material occupies a central place in her work. She does not just seek to describe a form, but to bring it to emerge. The surfaces are constructed by successive strata, like deposits of memory where the gesture remains perceptible. This sensitive approach invites an experience of the gaze that is slow and attentive, where suggestion prevails over affirmation. The figures that appear in her works do not tell a story in the narrative sense. They present themselves as states, fragments, thresholds, leaving the viewer the freedom to build their own connections and interpretation.

Reviews from our customers

All our reviews are extracted from Verified Reviews

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