Bronze Sculpture for Sale
Sans titre, Circa 1990
Fine Art Drawings : pastel · 122 x 40 x 0.1 cm 48 x 15.7 x 0 inch · Ready to hang
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Verified Reviews : 9.6/10
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About the artwork
Type
Fine Art Drawings : Unique artwork
Condition
Artwork sold in perfect condition, framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
122 x 40 x 0.1 cm 48 x 15.7 x 0 inch Height x Width x Depth
Artwork dimensions including frame
125 x 45 x 3 cm 49.2 x 17.7 x 1.2 inch
Sold by
Art gallery
Credentials
Vetted seller since 2018
Description
This bold work explores the human figure through abstract forms and natural colors. Dominated by a mysterious silhouette, it features an indistinct gray head crowned by dark features. The torso, enveloped in warm shades, evokes a sense of protection and strength. A fascinating phenomenon lies in the bold use of earthy textures and colors, such as emulsions of ochre and brown, which play with light and create a captivating depth. Vertical lines run along the bottom of the figure, insinuating a connection with the earth, while the pastel green background suggests a serene landscape or a dreamy horizon. This work challenges with its ambiguity and its ability to merge the human figure with natural elements, encouraging the viewer to contemplate the possible symbioses between man and nature.
Presentation
Born on 18th October, 1946 in Paris, Cité des Fleurs, Sylvia Katuszewski lives and works in Paris.
Sylvia Katuszewski is a creator who has a mentoring network of poets (she especially corresponded with Rene Char). She created a horde of totemic icons, suffering women or bruised goddesses, damaged saints, poetic but deadly and in a lot of pain.
Wounded and wonderful women, standing, women-children, women-mothers, portrayed in milky whiteness, tender and sweet, sometimes scarred due to pain and this can be seen through their look, which trickles in black, scarified flesh, totemic touching women. A painful and beautiful effigy, tenderly created, however incomplete.
A paradox art and definitely a shock. Sylvia Katuszewski's fire retardant women-children are lifelike! Loved Icons, in a prayer repository and worshiped by men, nonetheless the sculptures of Sylvia Katuszewski embody the suffering of women, mothers children who are lost or abandoned, or have undergone aborted pregnancies. A differing art where the flexible treatment manages to suggest the harshness of words.
Katuszewski 's exhibition of works is an invitation of dialogue between oil pastels on paper and sculptures in glazed earthenware. The sculpture might look like an ellipse and restrained art, the drawing on the other hand explodes with bright, flamboyant colors and takes up the whole sheet. Therefore, the exhibition is created in two ways. Two sides of the same artist: exuberant and liberated on paper, but concentrated and forbidden with her sculptures.
Sylvia Katuszewski is a creator who has a mentoring network of poets (she especially corresponded with Rene Char). She created a horde of totemic icons, suffering women or bruised goddesses, damaged saints, poetic but deadly and in a lot of pain.
Wounded and wonderful women, standing, women-children, women-mothers, portrayed in milky whiteness, tender and sweet, sometimes scarred due to pain and this can be seen through their look, which trickles in black, scarified flesh, totemic touching women. A painful and beautiful effigy, tenderly created, however incomplete.
A paradox art and definitely a shock. Sylvia Katuszewski's fire retardant women-children are lifelike! Loved Icons, in a prayer repository and worshiped by men, nonetheless the sculptures of Sylvia Katuszewski embody the suffering of women, mothers children who are lost or abandoned, or have undergone aborted pregnancies. A differing art where the flexible treatment manages to suggest the harshness of words.
Katuszewski 's exhibition of works is an invitation of dialogue between oil pastels on paper and sculptures in glazed earthenware. The sculpture might look like an ellipse and restrained art, the drawing on the other hand explodes with bright, flamboyant colors and takes up the whole sheet. Therefore, the exhibition is created in two ways. Two sides of the same artist: exuberant and liberated on paper, but concentrated and forbidden with her sculptures.
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All our reviews are extracted from Verified Reviews
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