Field, 2016
Isabel Devos  

Photography : inkjet · 74 x 64 x 4 cm 29.1 x 25.2 x 1.6 inch · Ready to hang

€2,540 2 540 €

One of the last works available by this artist

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Shipped from: Taiwan

Delivery to: France , € 210

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Verified Reviews : 9.6/10
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About the artwork

Type

Photography : numbered and limited to 5 copies

1 copy available

Condition

Artwork sold in perfect condition, framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Not Signed

Technique & Support

inkjet on cotton paper

Dimensions ( cminch )

74 x 64 x 4 cm 29.1 x 25.2 x 1.6 inch Height x Width x Depth

Artwork dimensions including frame

74.4 x 64.4 x 5 cm 29.3 x 25.4 x 2 inch

Sold by

Art gallery

Professional art gallery • United States

Credentials

Vetted seller since 2019

Description
"Isabel Devos graduated at the​ ​Kask & Conservatorium School of Arts Gent​. After several years of functional work she presented her 'Contemplative Landscapes' at Casa Argentaurum in Ghent, Belgium. In 2015 she was one of the laureates of​ ​Urbanautica Institute​ 's portfolio review. In March 2017, she showed a selection of her images at​ ​Mi Galerie​, Paris.

The series ‘Contemplative Landscapes’ started off during an artist in residence at KIK in The Netherlands. Isabel was influenced by the surrounding landscape and was looking for images that referred to traditional landscape painting throughout the ages. The result is one of a treacherous beauty and questions the photographer's love with painting. By combining different techniques and influences from a range of renowned painters like Rothko, Matisse and Richter, she forces the viewer in a no man's land. These abstractions of reality, sediments on sluices, are of a pure aesthetic, and in a pictorial way questioning nature's arbitrariness. Not only is Isabel taking us through art's history, but she 's also shaping an image of what could be a possible outcome for mankind. Contemplative landscapes are like little sighs of nature, whispering about beauty but also telling us to slow down. And, so are the pictures witnesses of the actual, ecological problem earth is facing.

Urban Landscape Artworks

Netherlands

Landscape

Isabel Devos, Field

Isabel Devos

Belgium  • 1975

Presentation

Isabel Devos, Belgium Artist, graduated at the Kask & Conservatorium School of Arts Gent. After several years of functional work, she presented her 'Contemplative Landscapes' at Casa Argentaurum in Ghent, Belgium. In 2015, she was one of the laureates of Urbanautica Institute's portfolio review. In March 2017, she showed a selection of her images at Mi Galerie, Paris. 

The series 'Contemplative Landscapes' pushes the viewer on the border between human and nature to a point that made possible to imagine landscapes from single traces of water on sluices and shores, ready-made details, crops of reality. An expanded view of the world, a further dimension, more open and contemplative. As well said by Dieter Debruyne «by isolating these parts from its context, a peculiar and abstract image arises, referring to the possibility of a landscape and the multi-layered characteristics of a painting». This is not just meant to re-discover the universe in a microcosm; in this act of recognition of the beauty of nature there is something redeeming. «Because it's in our nature, humans tempt to control nature by building waterways, sluices, and artificial lakes. Hence nature reacts on these borders by leaving remnants behind.» The impact of certain artists is inevitable. 

Through photography Isabel gives us a pictorial view of the world, with an open and therefore contemplative mind. This is not just meant to re-discover the universe in a microcosm; in this act of recognition of the beauty of nature, there is something redeeming. Beauty is in the eye of the beholder people say. And maybe it is, and there is no artifice, bank, wall, or anything that can truly contain it. Her landscapes retain an expressionist attitude, with a reminder of the cross-references to the color field research of Rothko, the dull and somewhat dramatic palette of William Congdon landscapes, the attention on daily subjects of Richter, and the ability to mislead the viewer and to cause distraction on “what it is" of Rudolf Stingel. All these elements feed Isabel Devos's vision, an expressive synthesis of rare beauty. An operation of abstraction that is not new. Still the results of Isabel are impressive and of rare beauty.

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