Bronze Sculpture for Sale
Coke White Lines,
2013
Tilt
Print : Screen Print
80 x 60 x 0.1 cm 31.5 x 23.6 x 0 inch
€400
400 €
Secure delivery : France
+ €20
Shipping : One to two weeks
Free returns within 14 days
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About the artwork
Type
Numbered and limited to 63 copies
1 copy available
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Medium
Dimensions cm • inch
80 x 60 x 0.1 cm 31.5 x 23.6 x 0 inch Height x Width x Depth
Support
Framing
Not framed
Tags
Artwork sold in perfect condition
Artwork location: France
This bold work depicts an iconic soda bottle, stylized through an explosion of bright, vibrant colors. The touches of blue, pink, and white create a striking contrast against the neutral background, immediately drawing the eye. The artist uses a contemporary pointillist technique, bringing the image to life with small spots and bursts of color. The starry details inside the bottle add a dreamlike and playful dimension, capturing the spirit of pop art. The contours are intentionally blurred, creating an effect of movement and depth. This piece stands out for its ability to transform an ordinary object into a vibrant and energetic expression, celebrating contemporary visual culture. The combination of classic and modern elements gives this work a unique and timeless appeal.
Collector’s Guide
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Presentation
Born in 1973 in Toulouse, where he still lives and works, TILT is an internationally recognized graffiti artist. His passion for skateboarding naturally led him to discover a whole new universe at a very young age. In this world he came across the aesthetics and philosophy of graffiti, the transgressions it implied, as well as a place where the concept of public space is constantly challenged, as it has become a playground. Not to mention, he was also faced up with the core issue of individual freedom within a particular territory or area.
During his ensuing career, Tilt has developed an abstract language deeply connected with the entireness of the performative gesture, with the primitive and raw nature of the outline, and the way it is written on a particular surface, located in a particular place in the world. His anti-aesthetic approach is made of destruction, disintegration, and elimination. He breaks all layouts apart, he plays with scales, while decontextualizing raw graffiti pieces or random items from the streets to expose them in brand new spaces. And yet, beyond this seeming bluntness, his work creates an expectation among the viewers, as it takes time to unveil; to be fully read. Letters have become pieces and echoes that would take shape through the language plasticity. The hints and references to the classic graffiti legacy are hidden and juxtaposed, as they become the combination of many different street writing styles.
Tilt's wall paintings, as well as the rest of his works, are the product of an ongoing dialogue between the urban space and a reflection of all the codes of this night-time underground culture, of the different groups belonging to it. It is about what brings them together and what makes them stronger. He has transformed his marks on city walls into rituals that he would spread all around the world.
Painters
Printmakers
More works from GALERIE MONA LIS'ART
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