Zahia White, 2015
Tilt  

Print : lithography · 27 x 27 cm 10.6 x 10.6 inch

€910 910 €
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Shipped from: France

Delivery to: Germany , € 80

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Verified Reviews : 9.6/10
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About the artwork

Type

Print : numbered and limited to 99 copies

1 copy available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

27 x 27 cm 10.6 x 10.6 inch Height x Width x Depth

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Credentials

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Description

Street art

Pop Art

Urban art

Shoes

Pop Culture

Urban

Grey

Pink

Tilt, Zahia White

Tilt

France  • 1973

Presentation

Born in 1973 in Toulouse, where he still lives and works, TILT is an internationally recognized graffiti artist. His passion for skateboarding naturally led him to discover a whole new universe at a very young age. In this world he came across the aesthetics and philosophy of graffiti, the transgressions it implied, as well as a place where the concept of public space is constantly challenged, as it has become a playground. Not to mention, he was also faced up with the core issue of individual freedom within a particular territory or area.

During his ensuing career, Tilt has developed an abstract language deeply connected with the entireness of the performative gesture, with the primitive and raw nature of the outline, and the way it is written on a particular surface, located in a particular place in the world. His anti-aesthetic approach is made of destruction, disintegration, and elimination. He breaks all layouts apart, he plays with scales, while decontextualizing raw graffiti pieces or random items from the streets to expose them in brand new spaces. And yet, beyond this seeming bluntness, his work creates an expectation among the viewers, as it takes time to unveil; to be fully read. Letters have become pieces and echoes that would take shape through the language plasticity. The hints and references to the classic graffiti legacy are hidden and juxtaposed, as they become the combination of many different street writing styles.

Tilt's wall paintings, as well as the rest of his works, are the product of an ongoing dialogue between the urban space and a reflection of all the codes of this night-time underground culture, of the different groups belonging to it. It is about what brings them together and what makes them stronger. He has transformed his marks on city walls into rituals that he would spread all around the world.

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