Dessin à l'encre N°2, silhouette, 2019
Christophe Hohler   New & remarkable Artists

Fine Art Drawings : ink, paper, lead mine · 76 x 56 x 0.1 cm 29.9 x 22 x 0 inch

€1,950 1 950 €
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Shipped from: France

Delivery to: France Free delivery

Estimated delivery: Less than one week

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Verified Reviews : 9.6/10
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About the artwork

Type

Fine Art Drawings : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

ink, paper, lead mine on Fine art paper

Dimensions ( cminch )

76 x 56 x 0.1 cm 29.9 x 22 x 0 inch Height x Width x Depth

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Credentials

Vetted seller since 2013 • Top Seller

Description

This captivating drawing depicts a figure with its head bowed, executed with bold and expressive strokes. The hunched posture and lack of defined facial features accentuate the atmosphere of solitude emanating from the work. The black and white piece is punctuated with splashes of red.

Christophe Hohler's mixed technique, a skillful blend of figuration and expressionism, focuses on the representation of the body and all its potentialities.

Portrait

figurative

Expressionism

Men

Silhouette

White

Black

Christophe Hohler, Dessin à l'encre N°2, silhouette
Switzerland  • 1961
58 followers

Presentation

Christophe Hohler lives and works in France, but it is in Switzerland that he was born in 1961 in the municipality of Basel. He has dual French and Swiss nationality. He began his apprenticeship as an offset printer in the evening course at the Kunstgewerbeschule in Basel, then went to the School of Decorative Arts in Strasbourg. The first reading of a painting by Christophe Hohler immediately reveals his preoccupation; the representation of the body. "Christophe Hohler's painting today testifies to his personal development, it is now located in the frontality of the painting and in a shortcut. Shortcut of painting, he leaves anatomical reality aside, evoking nudity more than it does. the watch. He suggests the attitudes represented: waiting, meditation, observation, walking, reading ... he thus recedes the figure in favor of the mere pictorial fact. His purpose is now to present a concise painting, one where colors and materials almost lead to the erasure of the subject. "

Reviews from our customers

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