Almiranta tricornio, Sculpture
José Ignacio Suarez Solis
Sculpture - 69.9 x 84.8 x 49.8 cm Sculpture - 27.5 x 33.4 x 19.6 inch
£11,066
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Bambuzal,
2022
José Ignacio Suarez Solis
Painting : acrylic
99.8 x 149.9 x 0.3 cm 39.3 x 59 x 0.1 inch
£2,371
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About the artwork
Type
Unique work
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Dimensions cm • inch
99.8 x 149.9 x 0.3 cm 39.3 x 59 x 0.1 inch Height x Width x Depth
Framing
Not framed
Tags
Artwork sold in perfect condition
Artwork location: Brazil
Bambuzal, 2022 by José Ignacio Suarez Solis From The Series Matas Acrylic paint on canvas Size: 100 H x 150 W cm. Unframed
This abstract artwork bursts with a vibrant tapestry of colors, engaging the viewer with a dynamic interplay of forms and shades. Dominated by bold strokes of green, the composition is accentuated by splashes of red, yellow, and blue, creating an energetic rhythm reminiscent of a bustling urban landscape. The brushwork is expressive and spontaneous, suggesting movement and evolution. Intriguingly ambiguous shapes intermingle throughout, inviting interpretations of natural forms or abstract figures. The layering of colors and textures adds depth and intensity, making the piece visually captivating and thought-provoking. The artwork’s complexity and raw energy compel viewers to explore and find personal meanings, effectively capturing the essence of contemporary abstract art.
About the seller
The Art Design Project - Art Gallery • United States
Artsper seller since 2019
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Presentation
Son of Cuban parents, José Ignacio Suarez Solis arrived in Rio de Janeiro during his childhood, settling in Bahia in 1974. Between 1987 and 1993 he studied in the United States, initially in New York and then on the West Coast, where he graduated with a B.A. Architecture from the University of Oregon. In Copenhagen (1990) he had contact with drawing and watercolor, starting to produce journals of sketches. He participated in his first exhibition in Oregon, in 1992. His first architectural project (1991) was the residence of the country, on the escarpment of Baía de Todos os Santos. In 1994, the artist settled on a coffee farm in Chapada Diamantina where he developed the practice of drawing and painting with greater regularity. A regular at Carybé's studio, he was influenced by sculptural practice involving the use of beaten iron. As an architect, José Ignacio was a project manager in the hotel sector, carrying out several transits throughout Latin America - which allowed him to improve his research and greater circulation of his work, integrating private collections spread across the places where he dwelt. In 2004 he did an artistic residency in Helsinki, Finland, redefining the use of your palette. Reinstalled in Salvador in 2018, the artist carries intellectual concerns that lead him between the affection for continental geography and the nostalgia for a destination. His investigations into the mythological imagery of indigenous matrices poetically translate into deities painted on canvas or sculpted in wood, stone, and iron.
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