Norbeck, 1982
Isadore Lévy  

Painting : oil · 80 x 40 x 3 cm 31.5 x 15.7 x 1.2 inch · Ready to hang

€1,200 1 200 €

One of the last works available by this artist

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Shipped from: France

Delivery to: France , € 43

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

oil on canvas

Dimensions ( cminch )

80 x 40 x 3 cm 31.5 x 15.7 x 1.2 inch Height x Width x Depth

Artwork dimensions including frame

84 x 44 x 3.2 cm 33.1 x 17.3 x 1.3 inch

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Credentials

Vetted seller since 2015 • Top Seller

Description

This abstract work features a harmonious composition of geometric shapes and subtle colors. It is distinguished by its overlapping rectangles in blue and red hues, creating a captivating interplay of horizontal and vertical lines. The center of the canvas is dominated by a white space, exuding a sense of lightness and balance. The shades of blue vary from light to dark, suggesting depth and serenity, while the touches of red bring a contrasting vitality. The grainy texture of the background adds a tactile dimension to the whole, inviting prolonged contemplation. Through its apparent simplicity, this painting inspires reflection on the harmony between color and form, affirming the expressive power of abstraction.

Abstract

Abstract art

Navy blue

Grey

Isadore Lévy, Norbeck

Isadore Lévy

France  • 1899  - 1989

Presentation

Isadore Lévy (1899-1989) was a French-American painter with a fascinating career. Born in the United States, he moved to France in 1920 after winning a prestigious scholarship. He then became part of the artistic ferment of the École de Paris, exhibiting at the Salons des Indépendants, d'Automne, and des Tuileries. His style, initially influenced by academicism and the work of the Italian masters, evolved into a freer and more luminous style.

In the 1930s, he returned to the United States, where his work became simpler, adopting cleaner forms and a bolder palette. Returning to France in 1950, he deepened his exploration of color and texture, creating works in which light seems to spring from the material itself. Exhibited in Paris, New York, and at prestigious galleries such as Wildenstein and Vignon, his work demonstrates a constant search between figuration and abstraction.

A major retrospective was dedicated to him in 1989, a few months before his death, followed by a posthumous tribute at Maisons-Laffitte in 1990. Today, his work continues to seduce with its sensitivity and timeless modernity.

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