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Louise Van Reeth, Sans titre - Relief, Painting on canvas
Louise Van Reeth, Sans titre - Relief, Painting on canvas
Louise Van Reeth, Sans titre - Relief, Painting on canvas
Louise Van Reeth, Sans titre - Relief, Painting on canvas
Louise Van Reeth, Sans titre - Relief, Painting on canvas
Louise Van Reeth, Sans titre - Relief, Painting on canvas
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Louise Van Reeth, Sans titre - Relief, Painting on canvas
Louise Van Reeth, Sans titre - Relief, Painting on canvas
Louise Van Reeth, Sans titre - Relief, Painting on canvas
Louise Van Reeth, Sans titre - Relief, Painting on canvas
Louise Van Reeth, Sans titre - Relief, Painting on canvas
Louise Van Reeth, Sans titre - Relief, Painting on canvas
Louise Van Reeth, Sans titre - Relief, Painting on canvas
Louise Van Reeth, Sans titre - Relief, Painting on canvas
Louise Van Reeth, Sans titre - Relief, Painting on canvas
Louise Van Reeth, Sans titre - Relief, Painting on canvas
Louise Van Reeth, Sans titre - Relief, Painting on canvas
Louise Van Reeth, Sans titre - Relief, Painting on canvas

Sans titre - Relief, 2024
Louise Van Reeth  

Painting : acrylic, marble, Pigments · 80 x 80 x 6 cm 31.5 x 31.5 x 2.4 inch · Ready to hang

€1,700 1 700 €

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Shipped from: Belgium

Delivery to: France , € 140

Estimated delivery: Two to three weeks

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Verified Reviews : 9.6/10
9.6/10
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Painting, Blue IV, Maryse Pique

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Painting . 120 x 120 cm Painting . 47.2 x 47.2 inch

€4,300

About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the artist

Signature

Hand-signed by artist

Technique & Support

acrylic, marble, Pigments on canvas

Dimensions ( cm • inch )

80 x 80 x 6 cm 31.5 x 31.5 x 2.4 inch Height x Width x Depth

Sold by

Independent artist

Louise Van Reeth • Belgium

Credentials

Vetted seller since 2024

Description

Louise Van Reeth's practice is rooted in an exploration of the expressive and emotional power of material and color.

The series evokes the experience of vast open landscapes—deserts and plains where the horizon seems boundless. These immense spaces where nothing hinders the mind, where the gaze embraces a totality it instinctively recognizes; spaces that comfort us, invite us to merge with them, and remind us that everything is already here—and that we are a part of it.
“These places of silence and openness evoke for me a sense of absolute freedom, released from social norms, where the body dissolves into the environment and the mind enters an experience of unity."

Each painting consists of a layer of earth sourced directly from the landscape, and a layer of intense chromatic material, closer to paint. These textured, colorful surfaces construct a space that is both physical and mental, where the memory of sensations once felt in the immensity of nature is reawakened.

Painting becomes a site of contemplation—a pause in the saturated flow of images and stimuli. Inspired by the Kantian notion of the “free beauty," this series offers an aesthetic experience detached from any utilitarian function—a suspended, disinterested gaze.

To contemplate, here, is to step outside oneself—beyond will, beyond the impulse to possess—in order to access a deeper intuition of the world.
In this context, pictorial abstraction is not a withdrawal from reality but a path toward it: it condenses sensations, presences, memories; it opens the way to a freer perception. It calls for a mental disposition that escapes chronology, encouraging an experience of pure duration.

The series proposes an aesthetic of visual simplicity—an antidote to the complexity of the contemporary world, and a search for a sensorial purity. It reflects a kind of hypersensitivity to the world, a need to filter, translate, and distill in order to feel more acutely.

Color plays a central role—as an entry point into an experience of inner release. The sublime—in the sense of the vertigo one feels before the power of nature—runs through these works, inviting a transcendence of the self.
Art and nature appear here as spaces of emancipation, thresholds opening onto a new relationship with time, perception, and freedom.

Abstract

Sky

Sea

Dark blue
Louise Van Reeth, Sans titre - Relief
Louise Van Reeth

Louise Van Reeth

Belgium  • 1988

Presentation

Louise Van Reeth's practice is part of an exploration of the expressive and emotional power of matter and color. As much in painting, as in the rest of her works, she attempts to reveal the visual richness of the color/matter alliance and its ability to come into harmony with our inner energies and vibrations.

His works celebrate the materiality of the work of art as an open door to an elsewhere of the order of sensation and a certain quest for freedom emancipated from the immediacy of life to reach deeper levels of emotional and spiritual consciousness. Through subtle references to the landscape, to the trace, to the weave, his paintings invite us to blend into them, to experience a form of serenity and self-forgetfulness specific to an immersive experience devoid of intellectualization. They offer an invitation to tranquility and rest of the soul in an increasingly disconnected world, bringing us back to the very essence of the positive experience that is simply living, here and now.

Her works emit a vibration and energy of their own, which each person can receive and appreciate according to their own personal narrative. Inspired by both American Color Field Painting and Italian Arte Povera, her inspiration also comes from the textures of the landscape, the graphics of a leaf, or the moiré patterns of a stone.

“It seems to me that nature and art share this unique power to confer on us a profound well-being, purified from the artifices of society." Louise Van Reeth's simple forms and vibrant colors transcend the simple representation of the external world to achieve a deeper and more universal meaning.

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All our reviews are extracted from Verified Reviews

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