Magic Camp n. 16, 1972
Alan Davie

Painting : Watercolour, ink, tempera

58 x 83 x 0.1 cm 22.8 x 32.7 x 0 inch

€6,800 6 800 €

One of the last works available by this artist

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About the artwork

Type

Unique artwork

Signature

Hand-signed by artist

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery


Dimensions cm inch

58 x 83 x 0.1 cm 22.8 x 32.7 x 0 inch Height x Width x Depth

Framing

Golden frame

Artwork dimensions including frame

66 x 91 x 3 cm 26 x 35.8 x 1.2 inch


Tags

Abstract

primitivism

Green

Red

Artwork sold in perfect condition, framed, ready to hang

Artwork location: Italy

Mixed media on paper realized by Alan Davie in 1972.

Hand signed and dated lower left.

Titled upper left.

A vibrant and highly characteristic work by Alan Davie, encapsulates the artist's celebrated post-war visual language—an imaginative synthesis of abstract expression, private symbolism, and playful, ritual-like imagery.

Executed in 1972, at the height of Davie's mature period, the composition unfolds like a pictographic theatre: a boldly simplified interior space is animated by floating signs, totemic motifs, and brightly articulated forms, rendered with the immediacy of improvisation and the deliberation of a personal code.

Dominating the scene is a checkered, altar-like structure supporting a stylized sculptural head, accompanied by emblematic elements—crescent form, spiral figure, and scattered dot clusters—suggesting Davie's enduring fascination with music, mythology, and the spiritual dimension of mark-making. The palette is vivid and rhythmic, with saturated greens, reds, ochres and blacks set against open, luminous reserves of paper. The surface bears evidence of layered techniques—brushwork, staining, and graphic line—typical of Davie's mixed-media approach, where spontaneity and structure coexist.

Presented in a frame, this sheet stands as a compelling example of Davie's iconographic universe, where abstract form becomes narrative and the picture plane reads as a site of performance and invention.

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About the seller

Wallector Srl • Italy

Artsper seller since 2019

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Alan Davie, Magic Camp n. 16
United Kingdom  • 1920

Presentation

James Alan Davie (Grangemoth, 1920 - Hertfordshire, England, 2014) was a Scottish painter and musician.


After World War II, Davie played tenor saxophone in the Tommy Sampson Orchestra based in Edinburgh. He travelled to Venice and was influenced by other painters of the time, such as Paul Klee, Jackson Pollock, and Joan Miró. Particularly, his painting style owes much to his affinity with Zen. After reading Eugen Herrigel's book Zen in the Art of Archery (1953), he chose spontaneity over organization. Given that according to him a spiritual path is impossible to plan ahead, he tried to paint as automatically as possible. He was also fascinated by the work of the psychoanalyst Carl Jung.


Like Pollock’s artworks, many of Davie's works were made while standing above the painting that was laying on the ground. Celebrating the primitive, he saw the role of the artist linked to that of the shaman, stressing the fact that disparate cultures have adopted common symbols in their visual languages. In his lectures, Davie emphasized the importance of improvisation as his chosen method. In addition to painting, whether on canvas or paper (though he preferred on paper), Davie has produced several screen prints. He found a public for his work also in America. His paintings appear both apocalyptic and triumphant all at once.

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