Bronze Sculpture for Sale
Gato mirando,
2024
Zeta Yeyati
Painting : collage, mixed media
70 x 50 x 1 cm 27.6 x 19.7 x 0.4 inch
€309
309 €
Secure delivery : France
+ €53
Shipping : Less than one week
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About the artwork
Type
Unique artwork
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Medium
Dimensions cm • inch
70 x 50 x 1 cm 27.6 x 19.7 x 0.4 inch Height x Width x Depth
Support
Framing
Not framed
Tags
Artwork sold in perfect condition
Artwork location: Mexico
Gato mirando obra de Zeta Yeyati a feline presence that interrogates the now.
Gato mirando obra de Zeta Yeyati unfolds as an invitation to slow down and meet a gaze that appears alert to everything around it. Produced on paper through mixed media techniques that include acrylic, stencil, and collage, the work presents a cat not as a simple household animal but as a symbol charged with awareness, independence, and enigma. With dimensions of 50x70cm, the feline occupies the heart of the composition, formed through restrained contours and eyes that oscillate between revelation and secrecy. Gato mirando transcends the idea of portraiture and becomes a visual inquiry directed at the viewer. The image captures a moment held in suspension, as if something is imminent, while the cat's stillness positions it as both silent observer and knowing participant. Through fluid brushwork, layered transparencies, and expansive chromatic fields of orange, blue, white, and black, Zeta Yeyati constructs a scene rich in tension and poetic resonance. As in much of his practice, the work embodies his guiding philosophy of reclaiming what has been cast aside and granting it renewed meaning. Gato mirando obra de Zeta Yeyati is not simply an image of a cat but an expression of a worldview shaped by sensitivity and quiet resistance.
Origins of vision and a sensitivity shaped by transformation
Growing up in Burzaco, Zeta Yeyati developed an early and lasting relationship with creative making. Long before music became part of his public identity, he explored drawing and woodworking as primary forms of expression. As an Argentine visual artist, his work is marked by a distinctive sensibility and a poetic engagement with recycled materials. Within his visual language, discarded elements are not peripheral but central. This approach goes beyond aesthetics, functioning as a reflective stance toward contemporary life and its patterns of consumption.
Gato mirando obra de Zeta Yeyati the language of recovery embodied
Gato mirando obra de Zeta Yeyati offers a clear reflection of the artist's creative ethos. Self-directed and driven by exploration, he constructs visual worlds where formal freedom meets material awareness. Although his path crossed with artists such as Pujía, Ferrari, and Aisemberg, his work resists imitation and maintains a voice that is unmistakably personal. In this piece, fragments of paper, wood, metal, and urban remnants are assembled into an image infused with nostalgia and subtle humor. The cat, a recurring symbol across cultures, becomes here both intimate and universal. Its gaze is deliberate rather than passive, suggesting vigilance, guardianship, and challenge. Through decorative details, painterly marks, and an unconventional spatial arrangement, Yeyati builds a narrative that unfolds without words. As in much of his production, fantasy and reality intersect, generating meaning within their overlap. Gato mirando obra de Zeta Yeyati leaves a lasting visual echo that remains present beyond the moment of viewing.
An art that watches from the edges and reshapes meaning
Gato mirando obra de Zeta Yeyati reminds us that artistic power often arises from what is ignored or discarded. This work functions as a quiet declaration, posing questions through silence. The cat becomes a metaphor for attention, for the subtle mysteries embedded in everyday existence, and for the transformative potential of modest gestures. Through a visual language built from stains, translucent layers, and reclaimed materials treated with care, Zeta Yeyati creates images that resonate without spectacle. This painting encourages a shift in perception, suggesting that what has been overlooked may still hold the capacity to surprise. Within each texture and line lies a conviction that seeing differently is the first step toward change.
Collector’s Guide
Discover more by the artist
Presentation
Zeta Yeyati (Burzaco, 1965) is a visual artist who has transformed recycling into a poetic language and forgotten matter into an act of aesthetic redemption. While the public has come to know him as a musician in projects like Los Intocables, La Mississippi, or Babel Orkesta, his true creative roots lie in the visual arts. Visual expression was his first terrain. Before the chords came drawing. Before the stages came interlocked tree trunks.
A restless and sensitive autodidact, Yeyati attended workshops with figures such as Antonio Pujía, León Ferrari, and Diana Aisemberg, yet his work doesn't follow any formal school. He moves freely between ceramics, collage, stencil, and assemblage. His aesthetic is nourished by what others discard: street posters, scraps of iron, furniture legs, bronzes, and aged wood. A dumpster was his first museum. Then came flea markets, where he continues to collect remnants for his unique pieces.
In his works, dogs, birds, musicians, queens, horses, and magicians coexist, as if each figure emerged from a story older than the object itself. His repertoire is populated by characters that rise from the collage with the force of a lucid dream. He does not seek to imitate reality but to reincarnate fragments of it. As curator Rodrigo Alonso described, his art is a “vital philosophy" — a gesture that defies consumerism and embraces the possibility of reviving the forgotten.
Color —present with striking intensity in his recent work— arrived through an internal shift: his encounter with Milo Lockett, which not only redefined his palette but also his way of sharing his universe. Since then, Yeyati's work pulses with a more playful energy, without losing its symbolic depth.
Yeyati does not merely create images —he builds an emotional archaeology from the remnants of everyday life. Each work is a story made of time, memory, and waste; a rescue act that restores humanity to matter. From that gesture —profoundly plastic and profoundly human— his art speaks to those willing to look beyond the surface.
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