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Andres Serrano, Klansman (Imperial Wizard), Photography on Fine art paper
Andres Serrano, Klansman (Imperial Wizard), Photography on Fine art paper
Andres Serrano, Klansman (Imperial Wizard), Photography on Fine art paper
Andres Serrano, Klansman (Imperial Wizard), Photography on Fine art paper
Andres Serrano, Klansman (Imperial Wizard), Photography on Fine art paper
Andres Serrano, Klansman (Imperial Wizard), Photography on Fine art paper
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Andres Serrano, Klansman (Imperial Wizard), Photography on Fine art paper
Andres Serrano, Klansman (Imperial Wizard), Photography on Fine art paper
Andres Serrano, Klansman (Imperial Wizard), Photography on Fine art paper
Andres Serrano, Klansman (Imperial Wizard), Photography on Fine art paper
Andres Serrano, Klansman (Imperial Wizard), Photography on Fine art paper
Andres Serrano, Klansman (Imperial Wizard), Photography on Fine art paper
Andres Serrano, Klansman (Imperial Wizard), Photography on Fine art paper
Andres Serrano, Klansman (Imperial Wizard), Photography on Fine art paper
Andres Serrano, Klansman (Imperial Wizard), Photography on Fine art paper
Andres Serrano, Klansman (Imperial Wizard), Photography on Fine art paper
Andres Serrano, Klansman (Imperial Wizard), Photography on Fine art paper
Andres Serrano, Klansman (Imperial Wizard), Photography on Fine art paper

Klansman (Imperial Wizard), 1990
Andres Serrano

Master Artists

Photography : fine art print

101.6 x 82.6 x 0.3 cm 40 x 32.5 x 0.1 inch

€13,655 13 655 €

One of the last works available by this artist

Secure delivery : France   + €637
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About the artwork

Type

Numbered and limited to 10 copies

1 copy available

Signature

Signed artwork

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Medium

Photography: fine art print

Dimensions cm • inch

101.6 x 82.6 x 0.3 cm 40 x 32.5 x 0.1 inch Height x Width x Depth

Support

Photography on Fine art paper

Framing

Brown frame with plexiglass

Artwork dimensions including frame

114.8 x 95.3 x 1.9 cm 45.2 x 37.5 x 0.75 inch

Tags

Portrait

Religious iconography

Green

Artwork sold in perfect condition, framed, ready to hang

Artwork location: United States

Serrano's  interest in the spiritual and his work with fluids led to the provocative series of immersions of religious and cultural symbols. Between shaken and bewildered, alone before the image, the viewer's gaze searches for the remnants of humanity that Serrano seems to have found in the Klan figures dressed in robes, disguised with menacing hoods. The concealed behavior of these pathetic individuals is very different from the exultant attitude of the Nomads, his work with the homeless.
His memory of a burning church became a series about the power of symbols and habits. Taken in different parts of the world, the photographs of religious figures seem to have allowed the artist to remember in public, to exorcise the past and create a critical and autonomous spiritual relationship. Although a political reading is unavoidable in relation to his work, we must believe him; Serrano confirms that his search for humanity and beauty comes first.

Klansman (Imperial Wizard), 1990
Cibachrome Print Front-Mounted to Plexiglas, wood frame
Edition of 10
Ed: 5/10

Labels from Paula Cooper Gallery 534 W. 21 STREET, New York, NY 10011 
Titled, and numbered on the reverse

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About the seller

The Art Design Project - Art Gallery • United States

Artsper seller since 2019

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Andres Serrano, Klansman (Imperial Wizard)

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Andres Serrano
Andres Serrano
United States  • 1950
Master Artists

Presentation

Andres Serrano is known and acknowledged for his cutting tone, his anticlerical position (author of "Crucifix" immersed in urine), or by his uncompromising prints on torture. Born in 1950 in New York, the photographer is of Afro-Cuban and Honduran origin. He studied art at the Brooklyn Museum Art school, the young man turned towards photography and defined himself to be an artist, from all angles.

He draws his inspiration through iconoclast Marcel Duchamp. Théodore Géricault nourishes his creations, like his photo series "The Morgue" testify. Andres Serrano is fascinated by death and focuses on the details of the bodies of the corpses.

He uses his photos to decipher social problems and probes the notions of religion and sex. Andres Serrano triggers emotions in the political scene, on the extreme right, and in the Catholic world. However, his photo "Piss Christ" triggered violent and polemic reactions in the USA. On 17th April 2011, one of his works was vandalized by UMP parliamentarians in the Lambert collection. Some years later, in 2007, several of his creations went through the same thing in a Swedish art gallery in Lund, by a group of Neo-Nazis. They didn't understand the reflection behind the provocation. With momentum of humanism, Andres Serrano puts the men of the shadows in the limelight, through his portraits of the homeless, who he calls "nomad", "resident" or "inhabitant", with respect. He also presents the one who is no longer presented: Trump. An out of sync and undermined look.

"I use photo just like a painter uses his canvas" says the artist.

Andres Serrano did his first exhibition in 1985, a long dedication to the four corners of the world. Recently, maison de la photographie in Paris dedicated a retrospective to him, following the one from Barbican Arts Center of London in 2001, or the Lambert collection in 2006. He received a grant by the National Endowment for the Arts Grants. Several books decipher the work of the artist by renowned critics, like Daniel Arasse «The Morgue », 1993 or « Andres Serrano, Le sommeil de la surface » in Actes sud.

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