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Valerio Adami, L'après midi d'un faune

Valerio Adami L'après midi d'un faune, 1976

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$USD 858

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The artwork is available for pickup from the gallery in Sedan, France


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Valerio Adami, L'après midi d'un faune
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Informations about this artwork
  • Medium

    Print : lithography

  • Dimensions cm | inch

    29.5 x 24.4 x 0.8 inch

  • Support

    Print on paper

  • Framing

    Black wood frame with glass

  • Type

    Numbered and limited to 25 copies
    1 remaining copy

  • Authenticity

    Work sold with an invoice from the gallery
    and a certificate of authenticity

  • Signature

    Signed artwork

  • Offered by the gallery

    Galerie STACKLR
    SEDAN - France

  • About the artwork

    Artwork sold in perfect condition

    Rare lithographie de Valerio Adami, signée et numérotée 10/25ex de la main de l'artiste.
    Dans cette œuvre V. Adami donne sa propre version du poème de Mallarme 1876. Ce tableau n'est pas sans rappeler l'interprétation de Nijinsky qui, en 1911, fit scandale en interprétant le rôle du faune décrit par Robert Brussel, critique du Figaro.

    Un corps de bête, mal construit, hideux de face et encore plus hideux de profil.
    Origine Galerie Artcurial.
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Themes: Portrait
Colours: Print Red
Tags:

cartoons

figuration

face

fictional character

Valerio Adami

Italy Born in: 1935 Famous artist

Valerio Adami is in Italian painter born on March 17, 1935 in the Italian city of Bologna. He is famous for his pintings with surfaces of flashy outlined by thick black lines, reminding of comics. He divides his time between France and Italy.

Adami was educated at Academy Brera in Milan between 1952 and 1954. He traveled to paris for the first time in 1955, where he met Roberto Matta. His first solo exhibition came in 1957 in Milan, with works inspired by Matta's surrealism.

In the late '60s, he became part of the Nouvelle Figuration (New Figuration) movement. Adami began to address politics in his art, and incorporated subject matter such as modern European history, literature, philosophy, and mythology. Adami's artworks were expressionistic, but around the time of his second exhibition in 1964 at Kassel, he had developed a style of painting reminiscent of French cloisonnism, featuring regions of flat colour bordered by black lines. The artist subjects were highly stylized and often presented in fragments, as seen in Telescoping Rooms.

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Valerio Adami, L'après midi d'un faune
Valerio Adami, L'après midi d'un faune