Campo di grano, 1996
Mario Schifano  

Print : Screen Print · 85 x 85 cm 33.5 x 33.5 inch · Ready to hang

$1,050 1 050 $US

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Shipped from: Italy

Delivery to: United States , $ 140

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About the artwork

Type

Print : numbered and limited to 199 copies

186 copies available

Condition

Artwork sold in perfect condition, framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

85 x 85 cm 33.5 x 33.5 inch Height x Width x Depth

Artwork dimensions including frame

92.5 x 92.5 cm 36.4 x 36.4 inch

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Credentials

Vetted seller since 2026

Description

Enamel screen print on paper, edited in 1996.
Limited edition, numbered as 187/199 in lower left corner.
Hand-signed in pencil by artist in lower right corner.
A dry stamp of Mario Schifano's signature at the bottom right corner.

Plate size: 66,5 x 64 cm
Paper size: 85 x 85 cm
Deep bright colors.

Bibliography: Mario Schifano - Serigrafie 1996-1997, Volume quarto, Ed. Torcular, ref. 17

A regular certificate of authenticity and legitimate provenience is provided, and also a copy of publication of the reference catalogue.

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Mario Schifano, Campo di grano
Italy  • 1934

Presentation

Mario Schifano (born in Homs, Libya in 1934; died in Rome, Italy in 1998), made his first important appearance with the exhibition "Five Roman painters: Angeli, Festa, Lo Savio, Schifano and Uncini" presented by Pierre Restany in 1960 at the Galleria La Salita in Rome. He attracted critics' interest with his monochrome paintings which gave the impression of a screen which subsequently displayed numbers, letters, road signs, and the Esso and Coca Cola trademarks. He signed an exclusive contract with Ileana Sonnabend. In 1962 he made his first trip to the United States, and was intrigued by artists like Dine and Kline. He spent a great deal of time with Frank O'Hara, Jasper Johns, Rothko, Andy Warhol and Gregory Corso. He exhibited at the Sidney Janis Gallery in New York in the exhibition The New Realists. After solo exhibitions in Rome, Paris and Milan, he returned to the United States. He was at the forefront of criticism and won several awards including the Premio Lissone (Lissone 1961) , the Fiorino award and La Nuova Figurazione (Florence, 1963). 


In 1963, he ended his collaboration with Ileana Sonnabend who was left baffled by the change in his artistic production which was so far removed from earlier work. In his new works there started to appear images from the history of Italian art. The first of his Anaemic Landscapes also appeared, which he presented at the Venice Biennale Exhibition in 1964 upon invitation, followed by works dedicated to Futurism. His first short films in black and white –most of which are silent - come from this period.

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