Kintsugi II, 2024
Romain Liverato  

Photography : HD print, fine art print, mixed media · 50 x 50 x 1 cm 19.7 x 19.7 x 0.4 inch · Ready to hang

€1,000 1 000 €

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Shipped from: France

Delivery to: France , € 36

Estimated delivery: Two to three weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Photography : Unique artwork

Condition

Artwork sold in perfect condition, framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the artist

Signature

Signed artwork

Technique & Support

HD print, fine art print, mixed media on Hahnemuehle fine art paper

Dimensions ( cminch )

50 x 50 x 1 cm 19.7 x 19.7 x 0.4 inch Height x Width x Depth

Artwork dimensions including frame

60 x 60 x 3 cm 23.6 x 23.6 x 1.2 inch

Sold by

Independent artist

Credentials

Vetted seller since 2021

Discount

This seller offers discount when you purchase multiple artworks.

Description

Kintsugi refers to this ancestral Japanese art of repairing broken objects while magnifying the breakage by enhancing it with gold. By applying this principle to nature itself, the artist once again questions our relationship to the world. Does nature need to be repaired? Everything indicates that in our time the answer would be yes. And this is exactly what we sometimes do by sanctuarizing or intervening directly, which sometimes gives rise to the paradox of an even more aesthetic nature but somehow artificial since it is mastered by humankind. Thus this repair, aesthetic but artificial, shows our anthropocentric relationship with our environment.

Photograph printed on Hahnemuehle 308g Photorag fine art paper, 24 carat gold leaf, wooden frame.

Romain Liverato, Kintsugi II
France  • 1982

Presentation

Photographer for 11 years, whose photographic quest has always been that of the intact landscape. This sought-after intimacy with nature, the landscape is called into question by the omnipresence of mankind in the environment, not only because of its way of life but also of mass tourism.

Seeking to represent this impact of human beings on this nature and its environment in general (nature and the urban) with which he maintains an ambiguous relationship, he will add another medium - painting - to his photography.

Contrasting singularly with the photograph which represents a reality, the painted motif inserted therein therefore aims to question this ambiguous relationship.

Continuing the process to the end with the frame which represents artificiality, the motif itself is overflowing with it because now it is indeed Man who is the cause of everything, and no longer simply "the measure of everything" (Protagoras).

Reviews from our customers

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