Souvenir VII, 2025
Photography : ink, fine art print · 30 x 60 x 0.5 cm 11.8 x 23.6 x 0.2 inch · Ready to hang
Shipping & delivery
Shipped from: France
Delivery to: United States , $ 193
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
About the artwork
Type
Photography : Unique artwork
Condition
Artwork sold in perfect condition, framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Signed artwork
Technique & Support
Dimensions ( cm • inch )
30 x 60 x 0.5 cm 11.8 x 23.6 x 0.2 inch Height x Width x Depth
Artwork dimensions including frame
40 x 70 x 1 cm 15.7 x 27.6 x 0.4 inch
Sold by
Art gallery
Credentials
Vetted seller since 2021
Discount
This seller offers discount when you purchase multiple artworks.
Description
Photograph printed on art paper and drawing made with a Bic pen with a wooden frame and museum glass.
Souvenir
Inspired by Heraclitus' famous maxim, “You can never step into the same river twice," “Souvenir" questions impermanence, the fleeting nature of lived moments, and the way in which reality becomes an inner image. I wanted to initiate a poetic and visual reflection on memory, its changing nature, and the inevitable transformation of reality. I imagined this series as a dialogue between two mediums: photography and drawing. To achieve this, I invited Jude Castel, an artist and illustrator, to contribute to my works with his own visual language, using blue or red Bic pens, which he wields with remarkable precision. This collaboration has given rise to works created by four hands. Each work thus combines two registers: a photograph taken by me and a drawing added at a later stage. The two parts can be separated by a clean tear: a strong visual gesture symbolizing the break between what has been experienced and what remains. This tear is also a place of passage: it symbolizes the transition from the photographic image, still anchored in reality, to the drawn line connected to our memory.
This alteration between these two worlds can also symbolize, more generally, the transformation of the landscape, of Nature, or of any place that changes by its very nature, through the passage of time, through environmental changes, and through the subjectivity of those who perceive this reality. This process also echoes the changes in the landscape itself: its transformations under the effect of time, human impact, or climate change. In some works, the use of red reinforces this interpretation by evoking rising temperatures or visible signs of change.
“Souvenir" emphasizes impermanence. It explores what is falling apart, what is changing. By combining photography and drawing, reality and memory, I emphasize a sensitive interpretation of time, absence, and what we choose or choose not to remember.
Presentation
Photographer for 11 years, whose photographic quest has always been that of the intact landscape. This sought-after intimacy with nature, the landscape is called into question by the omnipresence of mankind in the environment, not only because of its way of life but also of mass tourism.
Seeking to represent this impact of human beings on this nature and its environment in general (nature and the urban) with which he maintains an ambiguous relationship, he will add another medium - painting - to his photography.
Contrasting singularly with the photograph which represents a reality, the painted motif inserted therein therefore aims to question this ambiguous relationship.
Continuing the process to the end with the frame which represents artificiality, the motif itself is overflowing with it because now it is indeed Man who is the cause of everything, and no longer simply "the measure of everything" (Protagoras).
Reviews from our customers
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