Collage 2 (à Marie Touchet), Circa 2022
Frédérique Lanquetin  

Fine Art Drawings : ballpoint pen, collage · 30 x 30 x 0.05 cm 11.8 x 11.8 x 0 inch

€1,000 1 000 €

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Shipped from: Germany

Delivery to: France , € 55

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Verified Reviews : 9.6/10
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About the artwork

Type

Fine Art Drawings : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the artist

Signature

Hand-signed by artist

Technique & Support

ballpoint pen, collage on found Object

Dimensions ( cminch )

30 x 30 x 0.05 cm 11.8 x 11.8 x 0 inch Height x Width x Depth

Sold by

Credentials

Vetted seller since 2025

Description

The diverse and expressive faces in this collage suggest a range of emotions, creating a narrative tapestry. It is a landscape whose falling lines plunge into a Penrose diagram, that of a black hole collapsing, above which floats a sphere engraved around its edge with the number pi as a fraction. The mysterious ghost observing it above is a drawing by Marie Touchet, reproduced from a work by François Quenelle.

Frédérique Lanquetin, Collage 2 (à Marie Touchet)
France  • 1981

Presentation

I discovered my vocation for art one morning while preparing a doctorate on the world of funerary science. During a four-hour interview with two cemetery caretakers, where I felt transported into the novel of the old man and the sea, painting seized me. I embarked on a quest for color.

It was nevertheless necessary to complete the thesis, striving to achieve an impossible objectivity.

When I had to write the preface to this work, I wanted to give the reader the opportunity to criticize me. I tried to make the subjective component of my research understandable, to refer readers to my personality as the key.

This five-line paragraph became the starting point for my first novel, which was followed by two others in different genres, including science fiction. I also trained in astrology and tarot, a practice that allowed me to approach the truest part of the human being: their soul. Paradoxically, for some, these were also years of intense scientific reading, particularly in mathematics.

Covid had a decisive influence. After years of artistic seclusion, dedicated solely to writing/reading, painting, and astrology, I started working in a Berlin daycare center when contact restrictions were lifted. The children's little fantasy world unleashed an incredible wave of inspiration—full of hope and play. A series of drawings was born along a poetic thread—like a fairy tale.

This experience revolutionized my artistic practice, which until then had too often been focused on the search for meaning, alongside the discovery of improvisational theater, which I have practiced ever since. Its methods now run through my painting in search of joy.

Finally, I can add that I do not use AI to imagine or paint, and do not wish to do so in the future.


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