Bronze Sculpture for Sale
Brain Damage (Part 3), 2025
Painting : aerosol paint, Screen Print · 100 x 70 cm 39.4 x 27.6 inch
€350
350 €
Shipping & delivery
Shipped from: France
Delivery to: France , € 25
Estimated delivery: Less than one week
Free returns within 14 days, full refund
Authenticity guaranteed
Sold with certificate of Authenticity from the artist
Invoice from the artist Learn more
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Hand-signed by artist
Technique & Support
aerosol paint, Screen Print on paper
Dimensions ( cm • inch )
100 x 70 cm 39.4 x 27.6 inch Height x Width x Depth
Sold by
Independent artist
Credentials
Vetted seller since 2026
Description
This vibrant work brilliantly juxtaposes superimposed skull elements with a stylized heart, merging human anatomy with modern art. The vivid hues of yellow, purple, and red instantly captivate, creating a dynamic interplay of transparency and reflection. Geometric shapes, such as the bright yellow triangles, lend a contemporary and intriguing dimension. Repetition and layering amplify the visual effect, creating an illusion of movement and depth. This striking contrast between the skeletal structures and the pulsating organ evokes a reflection on life, mortality, and inner duality. The artists skillfully manipulate color and form to suggest a tension between rigidity and fluidity. An ambitious work that challenges our understanding of the fragility and beauty of human existence.
Presentation
Artist statement
I work with forms that never quite stay in place.
What interests me is not the image as a result, but the image as a phenomenon: a zone of turbulence, an organism in mutation, a substance still searching for its own coherence. Each impression, each superimposition, each distortion is a way of revealing the life of forms—their hesitation, their overflowing, their desire to reconfigure themselves.
I often start with very structured elements: lines, networks, symmetries, silhouettes. Then I push them until they break, contradict each other, or split in two. The work is written in that zone: in imbalance, in instability, in a chaos that I try to guide without stifling it.
I am looking for tension rather than resolution.
Many of my images draw inspiration from the body, from living things, or from forms that could almost be considered as such. Hybridizations, fragments, energies rather than figures. I am drawn to this boundary where one no longer knows if one is looking at an organ, a creature, a topography, or an abstraction. These ambiguities allow me to let several levels of interpretation breathe simultaneously, without confining the image to a single identity.
Technically, screen printing serves me as much as a tool as a testing ground. I like its way of imposing a framework while allowing for chance, grain, and variation. My prints often emerge as collisions between precision and excess. I don't try to control everything that happens; rather, I seek situations where the material invents its own logic.
If a personal aesthetic emerges from my work, it undoubtedly lies in this idea: to create forms that remain open, vibrant, and in transformation.
Forms that do not stop, that do not freeze, that continue to move even when the ink is dry.
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Reviews from our customers
All our reviews are extracted from Verified Reviews
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