“The Robes are made without embellishment on the tables of the art school where I teach. Originally, a wedding dress from the famous Barbie doll supposed to represent the desire for femininity of little girls, of which I only kept the shape. Stained, torn with traces of a cutter, adorned with some graffiti, their only motives are the "overflows" of the paint. I only intervene in blank on these supports witnessing the first steps of the students, thus confronting "fruits of chance" and premeditated gestures. This clothing stereotype is no longer immaculate, but carries with it something of the order of ambivalence or contained violence. »AG Anne Gérard works and lives in Nice.
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