Tigre attaquant un buffle, 1980
Henri Rousseau dit Le douanier Rousseau

Print : lithography

56 x 75 x 0.1 cm 22 x 29.5 x 0 inch

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About the artwork

Type

Numbered and limited to 300 copies

Signature

Plate signed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery


Dimensions cm inch

56 x 75 x 0.1 cm 22 x 29.5 x 0 inch Height x Width x Depth

Framing

Not framed


Tags

Artwork sold in perfect condition

Artwork location: France

Lithograph after Henri Rousseau, signed in the plate, numbered in pencil, bearing a dry stamp on paper. Edition in 300 copies. Lithograph produced by the Parisian printing presses from the original work of Henri Rousseau. Dimensions of the work: 75 x 56 cm. Image dimensions: 50 x 45 cm.
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About the seller

Galerie Hus • France

Artsper seller since 2015

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Henri Rousseau dit Le douanier Rousseau, Tigre attaquant un buffle

Presentation

Henri Julien Félix Rousseau (May 21, 1844 – September 2, 1910) was a French post-impressionist painter in the Naïve or Primitive manner. He was also known as Le Douanier (the customs officer), a humorous description of his occupation as a toll collector. He started painting seriously in his early forties; by age 49, he retired from his job to work on his art full-time.

Ridiculed during his lifetime by critics, he came to be recognized as a self-taught genius whose works are of high artistic quality. Rousseau's work exerted an extensive influence on several generations of avant-garde artists.

From 1886, he exhibited regularly in the Salon des Indépendants, and, although his work was not placed prominently, it drew an increasing following over the years. Tiger in a Tropical Storm (Surprised!) was exhibited in 1891, and Rousseau received his first serious review when the young artist Félix Vallotton wrote: "His tiger surprising its prey ought not to be missed; it's the alpha and omega of painting." Yet it was more than a decade before Rousseau returned to depicting his vision of jungles.

In 1893, Rousseau moved to a studio in Montparnasse where he lived and worked until his death in 1910. In 1897, he produced one of his most famous paintings, La Bohémienne endormie (The Sleeping Gypsy).

In 1905, Rousseau's large jungle scene The Hungry Lion Throws Itself on the Antelope was exhibited at the Salon des Indépendants near works by younger leading avant-garde artists such as Henri Matisse, in what is now seen as the first showing of The Fauves. Rousseau's painting may even have influenced the naming of the Fauves.

In 1907, he was commissioned by artist Robert Delaunay's mother, Berthe, Comtesse de Delaunay, to paint The Snake Charmer.

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