God Bless Us Everyone (Tiny Tim and Bob Cratchit), Circa 1977
Norman Rockwell   Master Artists

Print : lithography · 80.5 x 60.5 x 0.1 cm 31.7 x 23.8 x 0 inch

€3,859 3 859 €

One of the last works available by this artist

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Shipped from: Australia

Delivery to: France , € 163

Estimated delivery: Less than one week

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Verified Reviews : 9.6/10
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About the artwork

Type

Print : numbered and limited to 200 copies

1 copy available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Stamped

Technique & Support

lithography on Arches paper

Dimensions ( cminch )

80.5 x 60.5 x 0.1 cm 31.7 x 23.8 x 0 inch Height x Width x Depth

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Credentials

Vetted seller since 2023 • Top Seller

Description

Encore Edition prints, approved by Norman Rockwell

Numbered 95/200 lower left with blindstamp.  

Gold embossed signature lower right

Image size: 70.5 x 50.5 cm

Sheet size: 85 x 60.5 cm

Printed by Atelier Ettinger  

Published by Eleanor Ettinger, Inc., New York.  

Norman Rockwell, God Bless Us Everyone (Tiny Tim and Bob Cratchit)
United States  • 1894  - 1978

Presentation

Norman Rockwell (1894-1978) is the most famous American illustrator of the 20th century. Born in New York City Norman Rockwell entered the Chase School of Fine and Applied Art in 1908. After high school, he studied at the Art Student League and worked with George Bridgeman and Thomas Fogarty. At the age of sixteen, he illustrated his first book “Tell me why".

In 1916 Norman Rockwell proposed his first cover for The Saturday Evening Post Magazine. Then he became the painter of the American way of life and illustrated many famous illustrations and covers for the Saturday Evening Post for 47 years. In all, Rockwell painted 321 covers for the Post.

Rockwell created famous posters about World War II. In 1935 he illustrated the novels of Mark Twain: Tom Sawyer and Huckleberry Finn. Rockwell also painted portraits of Eisenhower, Kennedy and Nasser, and even his own triple self-portrait: a reflection, reflecting by looking in a mirror.

The development of photography and the decline of illustration led him to end his relationship with The Post in the '60s. At the end of the decade, he worked for Look Magazine and focused on more political themes like poverty, racism, and the Vietnam War.

He died at home in Stockbridge, Massachusetts on November 8, 1978.

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