Les chevaux, Circa 2010
Frédérique Lanquetin  

Sculpture : plaster · 31 x 58 x 3 cm 12.2 x 22.8 x 1.2 inch

€2,000 2 000 €

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Shipped from: France

Delivery to: France , € 37

Estimated delivery: Five to six weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Sculpture : numbered and limited to 2 copies

1 copy available

Condition

Artwork sold in perfect condition

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the artist

Signature

Hand-signed by artist

Technique & Support

plaster

Dimensions ( cminch )

31 x 58 x 3 cm 12.2 x 22.8 x 1.2 inch Height x Width x Depth

Sold by

Credentials

Vetted seller since 2025

Description

This plaster bas-relief, mounted on a wooden board, is a study of two horse heads by Pompom. Only the second copy in the series is offered on Artsper.

Animal

Wall sculpture

Horses

Black

brown

France  • 1981

Presentation

I discovered my vocation for art one morning while preparing a doctorate on the world of funerary science. During a four-hour interview with two cemetery caretakers, where I felt transported into the novel of the old man and the sea, painting seized me. I embarked on a quest for color.

It was nevertheless necessary to complete the thesis, striving to achieve an impossible objectivity.

When I had to write the preface to this work, I wanted to give the reader the opportunity to criticize me. I tried to make the subjective component of my research understandable, to refer readers to my personality as the key.

This five-line paragraph became the starting point for my first novel, which was followed by two others in different genres, including science fiction. I also trained in astrology and tarot, a practice that allowed me to approach the truest part of the human being: their soul. Paradoxically, for some, these were also years of intense scientific reading, particularly in mathematics.

Covid had a decisive influence. After years of artistic seclusion, dedicated solely to writing/reading, painting, and astrology, I started working in a Berlin daycare center when contact restrictions were lifted. The children's little fantasy world unleashed an incredible wave of inspiration—full of hope and play. A series of drawings was born along a poetic thread—like a fairy tale.

This experience revolutionized my artistic practice, which until then had too often been focused on the search for meaning, alongside the discovery of improvisational theater, which I have practiced ever since. Its methods now run through my painting in search of joy.

Finally, I can add that I do not use AI to imagine or paint, and do not wish to do so in the future.


Reviews from our customers

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