Sans titre, 2025
Sylvia Katuszewski  

Sculpture : ceramic · 39 x 43 x 13 cm 15.4 x 16.9 x 5.1 inch

€2,800 2 800 €

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Shipped from: France

Delivery to: France , € 53

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Sculpture : Unique artwork

Condition

Artwork sold in perfect condition

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

ceramic

Dimensions ( cminch )

39 x 43 x 13 cm 15.4 x 16.9 x 5.1 inch Height x Width x Depth

Sold by

Credentials

Vetted seller since 2018

Description
This captivating work, with its striking texture and form, represents a bold fusion of colors and materials. The use of earthy hues, mingled with touches of green and brown, evokes a natural, almost organic landscape. Thin layers of glaze provide depth and brilliance, capturing light from various angles. The structure appears carved from raw rock, with irregular reliefs that bring a complex scene to life. Meticulous details reveal enigmatic silhouettes, interwoven with the textured background. Each viewpoint offers a new interpretation, making the work dynamic and immersive. It is an exploration of matter and form that skillfully plays with the viewer's perception, intriguing with its simultaneously solid and ephemeral nature.

Portrait

Ghost

Women

brown

Pink

France  • 1946

Presentation

Born on 18th October, 1946 in Paris, Cité des Fleurs, Sylvia Katuszewski lives and works in Paris.

Sylvia Katuszewski is a creator who has a mentoring network of poets (she especially corresponded with Rene Char). She created a horde of totemic icons, suffering women or bruised goddesses, damaged saints, poetic but deadly and in a lot of pain.

Wounded and wonderful women, standing, women-children, women-mothers, portrayed in milky whiteness, tender and sweet, sometimes scarred due to pain and this can be seen through their look, which trickles in black, scarified flesh, totemic touching women. A painful and beautiful effigy, tenderly created, however incomplete.

A paradox art and definitely a shock. Sylvia Katuszewski's fire retardant women-children are lifelike! Loved Icons, in a prayer repository and worshiped by men, nonetheless the sculptures of Sylvia Katuszewski embody the suffering of women, mothers children who are lost or abandoned, or have undergone aborted pregnancies. A differing art where the flexible treatment manages to suggest the harshness of words.

Katuszewski 's exhibition of works is an invitation of dialogue between oil pastels on paper and sculptures in glazed earthenware. The sculpture might look like an ellipse and restrained art, the drawing on the other hand explodes with bright, flamboyant colors and takes up the whole sheet. Therefore, the exhibition is created in two ways. Two sides of the same artist: exuberant and liberated on paper, but concentrated and forbidden with her sculptures.




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