Papier indéchirable 1, 2022
Fabienne Recanzone  

Painting : mixed media · 100 x 70 x 0.2 cm 39.4 x 27.6 x 0.1 inch

€1,855 1 855 €

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Shipped from: France

Delivery to: France , € 52

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

mixed media on paper

Dimensions ( cminch )

100 x 70 x 0.2 cm 39.4 x 27.6 x 0.1 inch Height x Width x Depth

Sold by

Credentials

Vetted seller since 2022

Description

This vibrant and textured artwork is a powerful example of abstract expressionism. Its shades of blue and green dominate the canvas, evoking a landscape with birds. Energetic, fluid brushstrokes intertwine with complex textures, creating a captivating depth. Touches of yellow and orange inject subtle warmth, contrasting with the cooler tones. Abstract forms, suggesting organic silhouettes, reveal themselves to the attentive eye, inviting prolonged contemplation. The intricate interplay of color and form conveys a dynamic energy, enticing the viewer to explore the finest details of this captivating composition. The work evokes a harmonious juxtaposition of chaos and order, demonstrating the artist's technical mastery. This painting invites a sensory experience, immersing the observer in a world that is both familiar and strangely dreamlike.

Fabienne Recanzone, Papier indéchirable 1
France  • 1964

Presentation

The artist, born in 1964 in Lyon, in a family where art occupied a central place, my father being a painter of Italian origin.

My artistic journey began in 1986 at the Beaux-Arts de Lyon, then at the Arts Appliqués de Lyon in 1987, where I was fortunate to be accompanied by the painter Philippe Aubanel. In 1988, I joined the Beaux-Arts de Saint-Étienne, where I deepened my approach with the support of professors such as Philippe Favier and Denis Laget. These years were significant for me: they allowed me to experiment, to doubt, to build, and above all, to connect with what I truly wanted to explore in my life.

I obtained my DNAP in 1991, followed by a CESAP in 1992, and finally my DNSEP in 1993, with Hervé Audouard as my research director. The painter Gérard Traquandi, who was on my jury, was another prominent figure during this period.

Her artistic approach revolves around two main axes: creation in the moment and the exploration of the imprint. In her travels, she collects found materials: cardboard, paper, old invoices to produce series that extend over time, exploring the energy and evolution of the gesture. At the same time, she works on the trace using paper or canvas supports that she deploys in natural landscapes. These prints capture the essence of places through their textures (stones, branches, paths), then are reinterpreted in the studio through color and emotion. Her work, influenced by significant artistic encounters such as Denis Laget, is part of a research around repetition, the disappearance of the subject and purity, where only the essential lines remain.

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