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Janet Sherman, Red Diptych,
Janet Sherman, Red Diptych,
Janet Sherman, Red Diptych,
Janet Sherman, Red Diptych,
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Janet Sherman, Red Diptych,
Janet Sherman, Red Diptych,
Janet Sherman, Red Diptych,
Janet Sherman, Red Diptych,
Janet Sherman, Red Diptych,
Janet Sherman, Red Diptych,
Janet Sherman, Red Diptych,
Janet Sherman, Red Diptych,

Red Diptych, 2019
Janet Sherman

Sculpture : paper, resin

58.4 x 116.8 x 5.1 cm 23 x 46 x 2 inch

€4,875 4 875 €

One of the last works available by this artist

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Secure delivery : France   + €144
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About the artwork

Type

Unique artwork

Signature

Hand-signed by artist

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Medium

Sculpture: paper, resin

Dimensions cm • inch

58.4 x 116.8 x 5.1 cm 23 x 46 x 2 inch Height x Width x Depth

Display

The sculpture cannot be displayed outdoors

Tags

Abstract

Geometric

Wall sculpture

Cube

Diptych Artworks

Red

Artwork sold in perfect condition

Artwork location: United States

"Red Diptych" is a wall sculpture made of paper, paint and resin with a wide range of colors, no two identical.
As an artist, Janet Sherman is interested in the boundaries created by form, shape, and color. This subject matter interests her because these boundaries are a metaphor for the different types of boundaries we encounter in our everyday existence.

In her work she explores this subject matter by folding dimensional boxes out of painted paper. She meticulously arrange the boxes creating a protruding grid of color, then adheres them to the substrate. She then covers the entire surface with epoxy resin creating a glossy surface. This surface creates the illusion of glass or tile perplexing the viewer to determine whether the boxes are projecting out or in relief. Her work is further characterized by vivid contrasts in color and subtle differences in whites and darks.

Through these works, Janet Sherman urges the viewer to feel an emotional response to the contrasting color fields, provoking the viewer to think about how these boxes resemble things in everyday life - our homes, city blocks, or even the windows we look out of to view the world around us.
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About the seller

Ai Bo Gallery • France

Artsper seller since 2021

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Collector’s Guide

Discover more by the artist

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Sculpture, Green Sevens, Janet Sherman

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Sculpture, Seven Sevens, Janet Sherman

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Janet Sherman

Sculpture . 233.7 x 58.4 x 5.1 cm Sculpture . 92 x 23 x 2 inch

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Sculpture, Seven Sevens, Janet Sherman

Seven Sevens

Janet Sherman

Sculpture . 91.4 x 91.4 x 5.1 cm Sculpture . 36 x 36 x 2 inch

€8,666

Janet Sherman
United States ʉۢ 1970

Presentation

Janet Sherman was born in 1970.  Her Japanese mother, a trained master in calligraphy, ikebana, and embroidery filled her youth with a rich cultural heritage which greatly influences her work today.  Spending summers as a child in Japan with her grandfather, a high Buddhist Priest taught her reverence for the natural world and gave her great abilities in patience and precision.  Janet taught herself origami as a child and translates her enjoyment of folding paper into the artwork she now creates.  She combines western color theory with eastern aesthetics to inspire rich pattern and color fields.


Artist Statement

As an artist I am interested in the boundaries created by form, shape, and color.  This subject matter interests me because these boundaries are a metaphor for the different types of boundaries we encounter in our everyday existence. 

In my work I explore this subject matter by folding dimensional boxes out of painted paper.  I meticulously arrange the boxes creating a protruding grid of color, then adhere them to my substrate.  I then cover the entire surface with epoxy resin creating a glossy surface.  This surface creates the illusion of glass or tile perplexing the viewer to determine whether the boxes are projecting out or in relief.  My work is further characterized by vivid contrasts in color and subtle differences in whites and darks. 

With these works I want to make the viewer feel an emotional response to the contrasting color fields and to provoke the viewer to think about how the square boxes resemble things in everyday life, like our homes, city blocks, or even the windows we look out of to view the world around us.

Read more

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