Mata século XV II, 2013
José Ignacio Suarez Solis  

Painting : acrylic · 119.9 x 179.8 x 0.3 cm 47.2 x 70.8 x 0.1 inch

€3,934 3 934 €
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Shipped from: Brazil

Delivery to: France , € 455

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

acrylic on canvas

Dimensions ( cminch )

119.9 x 179.8 x 0.3 cm 47.2 x 70.8 x 0.1 inch Height x Width x Depth

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Credentials

Vetted seller since 2019 • Top Seller

Description

MATA SÉCULO XV II, 2013 by José Ignacio Suarez Solis  From The Series Matas . Acrylic paint on canvas 

This artwork is a vibrant explosion of textured brushstrokes, skillfully combining earthy tones and dynamic colors. Dominated by shades of green, yellow, and brown, the piece vividly captures the essence of a dense, abstract forest. On the left, bold, jagged forms reminiscent of rocky formations contrast starkly with the lush foliage on the right. The interplay of light and shadow is masterfully executed, creating depth and movement within the composition. The artist’s use of angular, intersecting lines suggests both chaos and harmony, inviting viewers to lose themselves in the complexity of nature. This gripping juxtaposition of natural elements imbues the work with a sense of energy and life, making it a captivating and thought-provoking piece.

Abstract

Abstract art

Brazil

Colors

Plants

Nature

Green

José Ignacio Suarez Solis, Mata século XV II
Chile  • 1967

Presentation

Son of Cuban parents, José Ignacio Suarez Solis arrived in Rio de Janeiro during his childhood, settling in Bahia in 1974. Between 1987 and 1993 he studied in the United States, initially in New York and then on the West Coast, where he graduated with a B.A. Architecture from the University of Oregon. In Copenhagen (1990) he had contact with drawing and watercolor, starting to produce journals of sketches. He participated in his first exhibition in Oregon, in 1992. His first architectural project (1991) was the residence of the country, on the escarpment of Baía de Todos os Santos. In 1994, the artist settled on a coffee farm in Chapada Diamantina where he developed the practice of drawing and painting with greater regularity. A regular at Carybé's studio, he was influenced by sculptural practice involving the use of beaten iron. As an architect, José Ignacio was a project manager in the hotel sector, carrying out several transits throughout Latin America - which allowed him to improve his research and greater circulation of his work, integrating private collections spread across the places where he dwelt. In 2004 he did an artistic residency in Helsinki, Finland, redefining the use of your palette. Reinstalled in Salvador in 2018, the artist carries intellectual concerns that lead him between the affection for continental geography and the nostalgia for a destination. His investigations into the mythological imagery of indigenous matrices poetically translate into deities painted on canvas or sculpted in wood, stone, and iron.

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