Bambuzal
José Ignacio Suarez Solis
Painting - 99.8 x 149.9 x 0.3 cm Painting - 39.3 x 59 x 0.1 inch
€2,816
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Bambu em cores século XV,
2022
José Ignacio Suarez Solis
Painting : acrylic
149.9 x 160 x 0.3 cm 59 x 63 x 0.1 inch
€4,506
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About the artwork
Type
Unique work
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Dimensions cm • inch
149.9 x 160 x 0.3 cm 59 x 63 x 0.1 inch Height x Width x Depth
Framing
Not framed
Tags
Artwork sold in perfect condition
Artwork location: Brazil
From The Series Matas
This vibrant abstract painting commands attention through its bold, expressive use of color and texture. Dominating the canvas are dynamic strokes of yellows, reds, greens, and blues, creating an energetic interplay reminiscent of stained glass. The thick, impasto technique adds depth, with layered hues and tactile surfaces inviting closer inspection. Angular shapes and intersecting lines suggest a geometric framework, anchoring the vivid colors and adding structure to the apparent chaos. This interplay between order and spontaneity enriches the piece, making it an engaging visual experience. The painting’s distinctive feature lies in its ability to evoke emotion through its bold color contrasts and textured layers, stirring a sense of both instability and harmony. This artwork stands as a testament to the transformative power of abstraction, effectively blending form and color to captivate and inspire.
About the seller
The Art Design Project - Art Gallery • United States
Artsper seller since 2019
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Presentation
Son of Cuban parents, José Ignacio Suarez Solis arrived in Rio de Janeiro during his childhood, settling in Bahia in 1974. Between 1987 and 1993 he studied in the United States, initially in New York and then on the West Coast, where he graduated with a B.A. Architecture from the University of Oregon. In Copenhagen (1990) he had contact with drawing and watercolor, starting to produce journals of sketches. He participated in his first exhibition in Oregon, in 1992. His first architectural project (1991) was the residence of the country, on the escarpment of Baía de Todos os Santos. In 1994, the artist settled on a coffee farm in Chapada Diamantina where he developed the practice of drawing and painting with greater regularity. A regular at Carybé's studio, he was influenced by sculptural practice involving the use of beaten iron. As an architect, José Ignacio was a project manager in the hotel sector, carrying out several transits throughout Latin America - which allowed him to improve his research and greater circulation of his work, integrating private collections spread across the places where he dwelt. In 2004 he did an artistic residency in Helsinki, Finland, redefining the use of your palette. Reinstalled in Salvador in 2018, the artist carries intellectual concerns that lead him between the affection for continental geography and the nostalgia for a destination. His investigations into the mythological imagery of indigenous matrices poetically translate into deities painted on canvas or sculpted in wood, stone, and iron.
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