Leah Desmousseaux

Crossed by the figures of the vestige and the desert, the photographic research of Leah Desmousseaux is part of a visual and experimental approach around the hybridization of analog and digital processes. Sensitive to a history that links the eye to the gesture, she is interested in the archaic techniques of this medium which, in the 19th century, was carried by the pictorialist movement and by the romantic aesthetic. 

She conceives the desert landscape as a radical, mineral and wild otherness, conducive to the reassessment of the human scale and the languages that Man establishes with his environment.