Charlotte Bercut

Limoges enamel. Thousand-year-old art with which I had a real fusional shock. I discovered this technique during an introductory course when I was 17 and it was a real source of escape for me to express what I felt thanks to this material. To be able to cut, shape and assemble copper so that it takes on all sorts of shapes on which fire and glass powders sing.

My vision of this art is more current than ever. My "enamel" technique rhymes above all with the word "modernity". Combine this noble material with bronze, brass, tin, gold and silver leaf to create contemporary paintings with a Japanese look.