Guillaume Piot

Guillaume Piot at his drawing table

France • 1984 • 74 followers

Guillaume Piot hides a fierce humor under refined features, which is the strength and originality of his drawing. Florence Murraciole

Nationality

French

Biography

A bestiary of today Sacred zoo, that of Guillaume Piot who transforms politicians, faceless but recognizable, into kings of a jungle that could well represent the French! A sharp-looking draftsman, Guillaume Piot did not choose zoomorphy to portray these animals that are politicians: don't we compare them to elephants when they advance in a monolithic herd, to old foxes when cunning competes with cynicism or even with monkeys when they make fun of the world? And finally, aren't we the spectators of a sort of cattle fair when it comes to choosing the one with the best teeth to bite into France or the most beautiful panache to seduce her? A past master in animal iconography, Guillaume Piot revisits the bestiaries of yesteryear in his own way. His pencil is delicate but often biting like those pitbulls and gorillas who crowd around Marine Le Pen. And what about these vultures who frame François Fillon while the geese sound the alarm against the attackers? Surrounded by a composite courtyard, bears, giraffes, camels, Emmanuel Macron clenches his fists while Jean-Luc Mélenchon reenacts freedom guiding the people in the midst of goats and sheep. Arnaud Montebourg, him, tries to compete with a peacock making the wheel ... as for François Hollande, alone in his palace, he tries to make himself a rhinoceros leather ... and all the others are to be discovered, smile on the lips, thought in mind. These politicians have no face, but they have a name thanks to these "nice animals" who surround them to offer them a little of their mind. Guillaume Piot hides a fierce humor under refined features, which is the strength and originality of his drawing. We will no longer see politics in the same way. - Florence Muracciole, Journalist

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